ARKIN  PAIN 


FACTORY 

PRICES 

1920 


mm~wm 


W" 


Handsome  Homes 


Colors 
Used  in  this  House 

Body  —  Drab  H  ouse  j 
Paint  No.  24 
Trim — White  House 
Paint  No.  7 
Roof — BrownShingle 
Stain  No.  33 
Porch— Green  S  hingle 
Stain  No.  73 
Steps — Gray  Floor 
Paint  No. 

204 


IF  you  would  have  your  home  always  attractive,  keep  it  well  painted. 
Paint  means  as  much  to  the  appearance  of  a  house  as  its  architec¬ 
ture.  The  effect  of  a  beautiful  architectural  design  may  be  almost 
lost  if  the  building  is  not  properly  painted,  while  a  plainly  designed  house 
may  be  made  very  attractive  by  the  judicious  use  of  paint. 

Besides — paint  preserves.  The  wood  or  metal  under  the  paint  will 
last  while  the  paint  lasts.  You  can  make  the  paint  last  by  periodically 
renewing  it.  The  life  of  your  building,  then,  rests  with  you. 

Your  home  can  be  made  as  attractive  as  any  of  the  houses  on  this 
page,  which  show  some  pleasing  color  combinations  of  Larkin  Paints. 

For  sample  colors,  see  page  18. 


y  -  Colors 

1  Used  in  this  House 

Body — White  House 
Paint  No.  7  and 
Brown  Shingle 
Stain  No.  33 
Trim — White  House 
Paint  No.  7 
Roof — Red  Shingle 
Stain  No.  46 


TO  FAMILY 


SOA  PM AKERS 
PERFU  M ERS 
CH  EM  ISTS 
REFINERS 
I M  PORTERS 
FOOD 

SPECIALISTS 


JOHN  0  LARKIN. 

Preset  aTroas. 

JOHN  D. LARKIN. Jr. 

Vlce-Preit  &  Ass  t  Trees 
4ARRY  H  LARKIN, 

Vice  Pres't  a AssTt Trees 
N*  R.  HEATH. 

Vice -Pres’t. 

5  D  MARTIN, 

Secretary. 

WALTER  B  ROBB. 

Ass'tTreas. 


Factories  and 
General  Offices. 


Buffalo  N.  Y. 


Branch  Companies:  Chicago  Peoria  Philadelphia 


Dear  Friend: 


In  our  45  years  of  manufacturing  experience  we  have 
created  no  Larkin  Product  in  which  we  take  more  pride  than  in  the 
Larkin  Paints  and  Varnishes. 

Years  of  research  in  Larkin  laboratories  and  years  of 
practical  manufacturing  experience  in  our  modern  Paint  Plant  have 
produced  the  Larkin  Paints  offered  to  you  in  this  book.  Our  aim  has 
never  been  to  make  anything  but  the  best.  We  have  never  sacrificed 
Paint  quality  in  order  to  quote  a  low  price. 

By  shipping  direct  from  factory  to  consumer  we  eliminate 
the  cost  of  distribution  through  middlemen.  Such  cost  is  always  part 
of  the  price  charged  for  paints  sold  at  retail,  but  it  adds  nothing 
to  the  value  of  the  paint.  "Save  all  cost  that  adds  no  value"  has 
been  a  Larkin  slogan  for  45  years. 

Nowhere  will  you  get  more  Paint  value  per  dollar  expended 
than  by  ordering  from  the  Larkin  Paint  Book.  In  all  transactions 
we  guarantee  you  absolute  satisfaction  or  the  cheerful  return  of  your 
money. 


Besides  our  line  of  Larkin  Paints,  Enamels  and  Varnishes, 
for  your  convenience  we  submit  in  this  book  a  number  of  other  worth¬ 
while  offers.  We  cannot  recommend  too  highly  Larkin  Guaranteed 
Roofing.  Larkin  Wire-Fencing,  Tools,  Auto  Accessories,  etc.,  present 
genuine  buying  opportunities.  Last,  but  not  least,  if  you  consider 
doing  any  papering  this  year,  send  today  for  the  big,  free  Larkin 
Wall-Paper  Book,  filled  with  large-size  samples  in  color  of  beautiful 
but  inexpensive  papers. 

On  the  last  page  of  this  book  you  will  find  an  index  and 
helpful  instructions  for  ordering,  also  our  liberal  30-Day  Credit 
Offer. 


Besides  the  quality  and  value  of  Larkin  Paints  and  other 
merchandise,  we  pledge  you  100  per  cent,  service  and  co-operation  in 
every  transaction. 

Sincerely  yours, 

LARKIN  CO. 


President, 


2 


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llllUtllll 

FEW  people  not  directly  connected  with  the  industry  realize 
how  the  far  corners  of  the  earth  are  searched  for  the 
materials  from  which  paints  and  varnishes  are  made. 

Raw  Materials  From  Many  Lands 

The  most  important  ingredients  in  the  manufacture  of  high- 
grade  varnish  are  the  “gums”  or  fossil  resins.  These  gums  are 
obtained  in  many  varieties  and  grades  from  the  interior  of  Africa, 
New  Zealand,  Borneo,  Java,  Sumatra,  the  Philippine  Islands 
and  other  distant  tropical  or  semi-tropical  countries.  They  were 
all  originally  derived  from  the  sap  of  various  trees  which  seeped 
into  the  ground  hundreds  of  years  ago  and  gradually  became 
covered  with  succeeding  layers  of  vegetation  and  earth.  With 
the  passage  of  time  they  became  hardened  or  fossilized.  The 
softer  and  poorer  grades  of  these  gums  are  found  near  the  surface 
of  the  earth  while  the  best  and  hardest  grades  are  obtained  at 
depths  of  twenty  to  thirty  feet.  After  the  gum  is  mined,  it  is 
carefully  scraped  by  hand  and  sorted  according  to  color  and 
hardness  before  being  packed  for  shipment. 

Some  varnish  gums  such  as  damar,  are  obtained  directly  from 
the  trees  at  the  present  time.  The  bark  is  slashed,  allowing  the 
sap  to  ooze  out  on  the  surface.  In  the  course  of  a  few  weeks  it 
has  hardened  and  is  scraped  off  the  tree.  The  gums  obtained  in 
this  manner  are  much  softer  than  the  fossil  gums  and  are 
inferior  to  the  fossil  gums  for  general  use 

Shellac  Gum  from  India 

In  India  a  little  insect  feeding  on  the  twigs  of  certain  trees 
envelops  itself  in  a  coating  of  “lac”  gum.  When  the  twigs  are 
well  covered  they  are  broken  off  into  boiling  water  which  melts 
the  gum  and  washes  out  the  dirt  and  the  natural  dye  with  which 
the  gum  is  colored.  The  melted  gum  is  strained  through  cloth 
bags  onto  slabs  where  it  cools  in  the  form  of  thin  flakes  which 
we  know  as  shellac. 

Before  washing,  the  lac  gum  has  a  deep  red  color  due  to  the 
dye  secreted  by  the  insect  producing  the  gum.  After  the 
removal  of  this  dye  the  gum  remains  a  deep  orange  color.  White 
Shellac  is  produced  by  bleaching  the  orange  shellac  with  certain 
chemicals.  Shellac  Varnish  is  made  from  either  white  or  orange 
shellac  gum  by  dissolving  it  in  alcohol. 

Oils  from  China  and  Japan 

The  basis  of  all  modern  water-proof  varnishes  and  of  many 
paints  for  special  purposes  is  China  Wood  Oil.  As  its  name 
indicates,  this  oil  comes 
from  China,  the  great 
producing  district  being 
located  along  the  upper 
part  of  the  Yangtse 
Kiang  river. 

The  tung  tree  from 
which  this  oil  is  derived 
looks,  when  in  bloom, 
much  like  our  familiar 
cherry  tree.  It  bears 
nuts  containing  three 
to  five  seeds  from  which 
the  oil  is  obtained  by 
crushing  and  pressing  in 
the  crudest  way  imagi¬ 
nable.  Yet  hand  labor 
is  so  cheap  in  China 
that  modern  oil  crushing 
machinery  cannot  com¬ 
pete  with  it. 

The  oil  is  collected  by 
traders  and  shipped  in 
.  small  boats  to  Hankow 


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<7 


MATERIALS  FOR  THE  MANUFACTURE  OF  LARKIN  PAINTS  AND  VARNISHES 
ARE  GATHERED  FROM  THE  FAR  CORNERS  OF  THE  WORLD 


where  it  is  tested  and  graded  before  being  shipped  to  our 
Pacific  coast  ports.  Here  it  is  reloaded  in  tank  cars  for  ship¬ 
ment  to  Buffalo.  From  China  and  Japan  we  also  obtain  Perilla 
Oil  and  Soya  Bean  Oil  which  are  two  of  the  newer  and  less  widely 
known  oils  used  in  varnish. 

Buffalo,  the  Linseed  Oil  Center 

The  Argentine  Republic,  Canada  and  our  own  North  Western 
States  produce  most  of  the  flaxseed  from  which  our  linseed  oil 
is  made.  Buffalo  is  the  center  of  the  linseed  oil  industry  as  most 
of  the  large  crushing  mills  and  refineries  are  located  here.  This 
puts  Larkin  Co.  in  a  very  favorable  position  for  the  purchase 
of  this  oil. 

Linseed  Oil  has  been  known  for  centuries  as  the  best  oil  for 
the  manufacture  of  paint.  It  still  retains  this  position  although 
other  oils  such  as  China  Wood  Oil  have  been  found  superior  to 
Linseed  Oil  in  the  manufacture  of  certain  types  of  varnish. 

Turpentine  from  the  South 

Turpentine,  another  important  ingredient  in  paint  and  varnish, 
is  produced  in  our  own  Southern  States  by  the  distillation  of  the 
sap  of  the  long  leaf  pine.  Ordinary  rosin  is  the  other  material 
obtained  in  this  process. 

Wax  from  Brazil,  Mexico  and  Texas 

Brazil  contributes' Carnauba  Wax,  one  of  the  hardest  waxes 
known.  It  is  obtained  from  the  leaves  of  a  certain  species  of 
palm  and  is  used  in  the  manufacture  of  Polishing  Wax  and 
certain  types  of  varnish.  Candelilla,  another  of  the  hard  waxes, 
is  obtained  from  a  plant  grown  in  Mexico  and  Southern  Texas. 

Colors  from  Many  Countries 

Some  of  the  durable  colors  used  in  the  manufacture  of  paint 
are  natural  earths  which  are  mined  in  many  widely  scattered 
localities.  From  Spain,  England  and  the  shores  of  the  Persian 
Gulf  we  obtain  bright-red  iron  oxides.  Umbers  come  mainly 

from  Turkey,  and 
Siennas  from  Italy,  while 
from  France  come  the 
best  and  brightest  shades 
of  yellow  ochre.  Some 
earth  colors  are  mined  in 
this  country  but  they 
lack  the  clear  tones  of 
these  imported  colors. 

White  lead,  zinc  oxide, 
chrome  yellow,  chrome 
green  and  most  of  the 
other  pigments  are  pro¬ 
duced  in  the  United 
States.  The  brilliant 
and  durable  colors  de¬ 
rived  from  coal  tar,  most 
of  which  were  made  in 
Germany  before  the  war, 
are  now  being  produced 
in  this  country  of  a 
quality  which  surpasses 
that  formerly  made 
abroad. 


O 


MELTING 
THE  GUM 
FOR 

LARKIN  VARNISH 


MANUFACTURE  OF  VARNISH 

To  the  casual  observer  visiting  the  Larkin  Plant,  the  manu¬ 
facture  of  varnish  might  seem  to  be  a  very  simple  process,  yet 
it  is  one  requiring  the  most  exact  scientific  control  combined 
with  the  knack  which  comes  only  through  many  years  of 
practical  experience.  The  men  making  Larkin  varnishes  have 
been  with  us  many  years  and  have  spent  their  lives  learning  the 
varnish-maker’s  art. 

Great  Care  and  Accuracy  Is 
Necessary 

The  first  step  in  the  process  is  to  melt  the  fossil  gum  in  a 
large  copper  kettle  over  a  coke  fire.  This  is  done  under  a  huge 
chimney  which  carries  off  the  large  volume  of  very  pungent 
vapors  which  are  given  off.  A  long  thermometer  is  used  to  ob¬ 
serve  and  control  the  temperature  which  reaches  well  over  700°. 
A  careful  control  of  the  temperature  with  an  accurate  thermom¬ 
eter  is  absolutely  necessary  for  the  production  of  uniform 
varnish  as  a  difference  of  only  a  few  degrees  makes  a  radical 
difference  in  the  results  obtained. 

Guesswork  has  no  place  in  the  Larkin  Factory.  When  the 
gum  has  been  melted  to  the  proper  degree,  the  oils,  which  have 
been  heated  separately,  are  added. 

Up  to  this  point  the  kettle  has  been  covered  with  a  copper  lid 
having  a  small  vent  or  stack  in  the  center.  This  lid  is  now  re¬ 
moved  and  the  mixture  of  oil  and  gum  cooked  until  properly 
combined.  Here  the  judgment  of  an  experienced  varnish-maker 
is  vital.  Too  much  or  too  little  cooking  will  spoil  a  batch  of  var¬ 
nish  just  as  readily  as  it  will  spoil  a  batch  of  candy.  Chemicals 
of  various  kinds  are  then  added  to  get  the  requisite  drying  and 
hardening  qualities. 


The  kettle  is  then  drawn  into  another  building  and  turpentine 
added  while  the  mixture  of  oil  and  gum  is  still  very  hot.  This 
is  the  most  dangerous  step  in  the  process  as  the  hot  vapors  of 
turpentine  are  extremely  inflammable. 


Clarified  and  Aged 

After  the  varnish  is  thinned  to  the  proper  consistency,  the 
dirt  and  impurities  must  be  removed.  The  Larkin  Factory 
employs  two  methods  for  accomplishing  this. 

In  one,  the  varnish  is  forced  through  layers  of  tightly  woven 
cloth  in  a  filter  press  and  in  the  other,  the  varnish  is  run  through 
a  centrifugal  clarifier  operating  on  the  principle  of  a  cream 
separator.  This  consists  of  an  iron  bowl  revolving  at  an 
extremely  high  speed.  The  dirt  being  heavy,  is  forced  to  the 
rim  of  the  bowl,  where  it  is  held,  while  the  clear  varnish  is  drawn 
from  the  center. 

After  being  filtered  the  varnish  is  pumped  into  huge  storage 
tanks  holding  many  thousand  gallons.  The  combining  of  a  great 
many  batches  in  one  tank  and  the  final  testing  and  adjustment 
which  the  varnish  receives  here  insures  a  uniform  product  at  all 
times. 

Before  it  is  put  into  cans  and  sold  the  varnish  is  allowed  to 
age  in  these  storage  tanks  for  several  months  as  all  varnish 
acquires  improved  brilliancy  and  working  qualities  by  aging. 


Special  Formulas  for  Special 
Purposes 

The  general  process  of  manufacture  is  much  the  same  for  all 
varnishes.  The  many  different  grades  and  kinds  produced 
depend  on  the  kind  of  raw  materials  used  and  the  proportions 


ADDING 

TURPENTINE  TO 
THE  MELTED 
GUM  AND  OIL 


ONE  OF  THE 
LARGE  TANKS  IN 
WHICH  LARKIN 
VARNISH 
IS  AGED 


Pigments  Thoroughly  Ground  and 
Mixed  by  Machinery 

The  first  step  in  the  process  of  paint  making  is  to  mix  the 
pigment  with  enough  of  the  liquid  to  get  a  pasty  consistency. 
All  the  liquid  is  not  added  at  this  time  because  the  pigment  can 
best  be  ground  to  extreme  fineness  in  paste  form.  The  liquid  as 
well  as  the  pigment  is  weighed  into  the  mixer.  We  long  ago 
discarded  the  old-fashioned  and  inaccurate  method  of  measuring 
liquids  by  volume. 

The  mixer  consists  of  a  cylindrical  cast-iron  box  in  which 
there  are  two  sets  of  vertical  paddles,  one  stationary  and  one 
revolving,  which  squeeze  the  mass  between  them.  When  the 
mass  has  been  thoroughly  mixed,  it  is  run  by  gravity  to  the 
feeding  hopper  of  the  grinding  mill  on  the  floor  below. 

The  mill  consists  of  two  heavy  flat  stones,  the  upper  one  being 
stationary  while  thfe  lower  stone,  which  is  pressed  tightly 
against  it,  revolves.  The  paste  is  fed  through  a  hole  in  the 
center  of  the  upper  stone  and  carried  along  radial  grooves  cut 
in  the  stones  to  the  edge  where  it  is  forced  through  the  very 
small  space  between  the  stones.  This  grinding  thoroughly  in¬ 
corporates  the  pigments  with  the  oil  and  reduces  all  coarse 
particles  to  extreme  fineness.  The  friction  of  one  stone  rubbing 
against  the  other  of  course  generates  considerable  heat.  In 
order  to  prevent  the  stones  from  over-heating,  each  of  them  is 
set  in  a  hollow  case  through  which  cold  water  circulates. 

An  iron  scraper  collects  the  ground  paste  as  it  works  over  the 
edge  of  the  revolving  stone  and  collects  it  into  a  portable  tank. 

When  the  paste  is  all  ground  the  tank  is  drawn  into  the  next 
room  where  the  balance  of  the  liquid  necessary  to  reduce  it  to 
the  final  consistency  is  weighed  in.  A  revolving  paddle  is  lowered 
into  the  tank  and  the  paste  and  liquid  thoroughly  mixed. 


AGITATOR  TANKS  WHERE  THE  PAINT  IS  TINTED  TO  THE  PROPER  SHADE 


in  which  they  are  combined.  The  gums  impart  hardness  and 
gloss,  the  oils  toughness  and  elasticity. 

Varnish  for  use  on  furniture  must  be  extremely  hard  and 
capable  of  taking  a  high  polish.  It  is  therefore  made  with  a 
large  proportion  of  the  best  grade  of  hard  fossil  gum  and  a 
comparatively  small  amount  of  oil. 

Varnish  for  outside  use  must  be  extremely  elastic  and  is 
therefore  made  from  a  large  amount  of  oil  and  a  comparatively 
small  amount  of  gum. 

The  turpentine  or  other  volatile  thinner  is  added  simply  to 
bring  the  mixture  of  oil  and  gum  to  a  consistency  at  which  it 
can  be  easily  applied  with  a  brush.  It  evaporates  entirely  after 
the  varnish  is  applied  and  has  no  effect  on  the  final  durability. 


MANUFACTURE  OF  PAINT 

Modern  Ready-Mixed  Paint,  such  as  is  manufactured  by  the 
Larkin  Co.,  is  immeasurably  superior  to  the  old-fashioned  kind 
mixed  by  hand.  This  is  partly  because  the  scientific  research 
carried  on  by  such  organizations  as  the  Larkin  Co.  has  resulted 
in  great  improvements  in  paint  materials  and  formulas. 

This,  however,  is  not  the  only  reason.  The  old  style  painter 
often  had  at  his  disposal  the  best  of  materials.  But  it  was 
impossible  for  him  with  his  crude  method  of  hand  mixing,  to 
obtain  the  fineness  of  grinding  and  the  thorough  incorporation  of 
pigments  and  oil  that  we  are  able  to  obtain  with  modern  heavy 
machinery.  It  was  likewise  impossible  for  him,  mixing  a  couple 
of  gallons  at  a  time,  to  obtain  anything  like  uniformity  in  color 
or  composition.  Every  machine  in  the  Larkin  Factory  is 
designed  with  the  idea  of  handling  large  quantities  accurately 
and  efficiently. 


CAPPING 
THE  CANS 


MIXING  AND 
GRINDING  THE 
PIGMENTS 
FOR 

LARKIN  PAINT 


s 


Finally  it  is  brought  to  the  standard  shade  by  the  addition 
of  small  amounts  of  color  in  paste  form.  This  is  work  of  the 
most  delicate  sort  which  can  be  handled  only  by  an  expert 
tinter  with  many  years  of  experience. 


ALL  MATERIALS  CAREFULLY 
TESTED  IN  OUR  LABORATORY 

A  completely  equipped  laboratory  in  the  hands  of  a  capable 
chemist  enables  us  to  test  all  raw  materials  as  received,  to  keep 
an  exact  control  of  each  step  in  the  process,  and  to  thoroughly 
test  the  finished  product  before  it  is  put  in  the  can. 

In  our  constant  research  work  on  methods  and  materials 
which  might  improve  the  quality  of  our  products,  we  have 
available  all  the  vast  facilities  of  the  Larkin  organization. 


FILLING  OF  PAINTS  AND 
VARNISHES 

The  filling  of  Larkin  Paints  and  Varnishes  is  carried  on  in  the 
same  careful  manner  as  the  rest  of  the  manufacturing  process. 
Nothing  is  left  to  chance  or  guess-work.  Wherever  possible 
automatic  machines  replace  hand  labor. 

The  filling  is  done  on  the  floor  below  the  room  in  which  the 
paints  are  tinted  so  that  they  may  run  by  gravity  through  the 
strainer  of  fine  wire  gauze  which  removes  all  lumps  and  coarse 
particles.  Some  products  instead  of  being  run  through  strainers 


are  run  through  a  centrifugal  clarifier  similar  to  that  used  to 
remove  the  dirt  from  varnish  in  the  course  of  manufacture. 

Large  packages  from  one  gallon  upwards  are  filled  by  hand  by 
expert  operators  and  smaller  cans  are  filled  by  machines  which 
automatically  measure  the  same  quantity  into  each  can. 

Cans  Sealed  and  Labeled  by 
Machinery 

The  covers  are  then  pressed  on  and  the  cans  placed  on  a  con¬ 
veyor  belt  which  carries  them  to  the  next  building.  Here  the 
different  sizes  are  sorted  automatically  by  a  very  ingenious 
but  simple  device.  The  covers  are  now  fastened  on  the  cans 
by  machines  which  roll  the  edge  of  the  cover  over  the  edge  of 
the  can  into  a  double  seam.  This  forms  a  perfectly  tight  package 
which  can  be  shipped  without  danger  of  coming  open  in  transit 
and  damaging  other  goods  with  which  it  is  packed. 

The  labels  are  applied  by  machines  which  will  handle  several 
thousand  cans  an  hour.  After  being  labeled,  the  cans  are 
placed  in  cases  and  put  in  the  storeroom  to  await  customers' 
orders.  This  storeroom  contains  at  all  times  many  hundred 
thousand  cans  of  paint  and  varnish  so  that  all  orders  can  be 
promptly  filled. 

On  the  cover  of  each  can  are  stamped  two  numbers,  the 
upper  one  indicating  the  kind  of  paint  or  varnish  which  the  can 
contains  and  the  lower  number  shows  the  particular  lot  out  of 
which  the  can  was  filled.  In  our  laboratory  is  retained  a  sample 
can  of  each  lot  made.  These  samples  are  a  guide  to  uniformity 
as  well  as  a  guide  to  constant  improvement  on  our  products. 


A  CORNER  OF  OUR  PAINT  TESTING  LABORATORY 


FILLING 

VARNISH 

CANS 


FINISHED  STOCK  READY  FOR  SHIPMENT 


REAMING  THE  LIDS  ON  FILLED  CANS 


6 


FOR  INSIDE  AND  OUTSIDE  USE 
ON  ALL  SURFACES 


Give  a  Brilliant,  Lasting  Finish 


No. 


1  Black 
4  Flesh 

7  White 

8  Ivory 

9  Olive  Green 
12  Light  Blue 


For  sample  colors,  see  page  1 8. 

No.  13  Buff  No.  24  Drab 


28  Orange  Yellow 

29  Dark  Green 
34  Dark  Gray 
39  Cream  Green 
43  Leather  Brown 


14  Pearl  Gray 
16  Venetian  Red 

18  Medium  Yellow 

19  Willow  Green 

20  French  Gray 

See  Order  Blank  for  price,  or  we  will  quote  prices  by  return 
mail  in  answer  to  any  inquiry.  Owing  to  the  present  unsettled  market 
conditions  and  in  order  to  give  our  customers  the  benefit  of  the  best  possible 
prices,  we  do  not  attempt  to  set  a  price  on  House  Paints  for  several  months 
ahead. 

Shipping  weights:  I  qt.,  5  lbs.;  I  gal.,  18  lbs.;  5  gal.,  90  lbs.;  50-gal.  barrel,  880  lbs. 

If  you  do  not  find  in  our  list  the  color  you 
want  send  us  a  sample  and  we  will  make  up 
quantities  of  ten  gallons  or  more  for  only  a  few  cents  per  gallon  above 
the  price  of  regular  shades.  We  positively  cannot  accept  orders  for 
less  than  10  gallons  of  special  shades. 


Special  Colors 


THE  present  quality  of  Larkin  House  Paints 
is  the  result  of  years  of  study  in  our  laboratories. 
Formula  after  formula  has  been  tested  and  re¬ 
tested.  Before  we  knew  you  would  be  satisfied,  we 
had  to  be  satisfied  with  tests  for  durability  by  ex¬ 
posure  to  all  sorts  of  weather  conditions  for  a  period 
of  years.  We  know  our  paint  will  satisfy  the  most 
exacting  requirements  of  either  the  amateur  or  the 
professional  painter.  We  know  the  results  obtained 
will  far  surpass  the  old-fashioned  hand-mixed  lead 
and  oil.  We  guarantee  the  contents  of  each  can  to 
comply  exactly  with  the  formula 
on  the  label. 

Paint  should  contain  more  than 
just  pure  white  lead  and  pure 
linseed  oil.  Both  of  these  ma¬ 
terials  are  excellent  as  far  as  they 
go,  but  they  have  faults  which 


FORMULA  FOR  WHITE  HOUSE  PAINT  No.  7 
Pigments  by  weight  59% 

Liquids  by  weight  41% 


Pigments  are: 
Sublimed  White  Lead 
Zinc  Oxide 
Silica  and  Silicates 


can  be  remedied  only  by  the  addition  of  reinforcing 
materials.  For  instance,  a  pure  white-lead  paint 
soon  “chalks”  or  dusts  off.  The  addition  of  zinc 
oxide  and  a  small  quantity  of  crystalline  silicious 
material  corrects  this.  Too  much  zinc  oxide  makes 
the  paint  too  hard  and  causes  it  to  crack.  Too  much 
silicate  spoils  the  opacity  or  covering  quality. 

Read  over  carefully  the  formula  of  our  No.  7  White  shown 
here,  a  typical  example  of  our  splendid  line  of  House  Paints. 
Note  the  large  quantity  of  white  lead  used,  and  that  we  use 
enough  zinc  oxide  without  using  too  much.  Note  the  large 
quantity  of  linseed  oil.  Compare  this  with 
other  ready-mixed  paints  on  the  market 
containing  large  quantities  of  whiting, 
barytes  and  other  adulterants,  and  you 
will  realize  why  Larkin  Paint  not  only 
covers  better  and  works  better  under  the 
brush  when  first  applied,  but  has  so  much 
greater  durability.  . 


60% 

28% 

12% 


Liquids  are: 
Linseed  Oil  90% 
Japan  Drier  8% 
Turpentine  2% 


Judge  Value  by  Service 


The  value  of  a  paint  is  not  represented  by  the 
price  you  pay  for  it  but  by  what  a  gallon  will  do. 
It  costs  as  much  or  more  to  apply  poor  paint  as  it 
does  to  apply  paint  of  the  best  quality,  and  the  cost 
of  application  is  more  than  the  cost  of  the  paint 
itself.  You  can  purchase  Larkin  Ready- Mixed 
House  Paints  with  the  full  assurance  of  securing 
the  maximum  value  per  square  foot  of  surface 
covered  and  per  year  of  protection  rendered.  But 
do  not  take  our  word  for  it.  Test  it  yourself  like 
this  professional  painter  of  long  experience,  who 
wrote  us: 

I  have  been  a  painter  for  over  18  years  and  I 
always  had  a  notion  that  ready-mixed  paint  was  of  no 
account.  Some  time  ago  one  of  my  customers  asked 
me  to  spread  about  8  gallons  of  your  White  Paint, 
and  not  having  any  of  my  own  mixed  at  that  time 
I  did  so,  and  I  wish  to  say  that  I  never  spread  any 
better  paint  than  your  No.  7  White,  and  I  shall  use 
it  and  recommend  it. 

HENRY  W.  DEASLEY,  McKeesport,  Pa. 


Do  not  be  misled  by  the  low  price  of  our  paint 
into  assuming  that  it  is  not  of  the  highest 
quality.  Remember  you  are  dealing  direct 
with  the  manufacturer,  which  eliminates  all 
middlemen's  profits.  The  purchasing  power  of 
the  big  Larkin  organization  is  able  to  secure 
for  you  the  maxim-um  value  for  every  dollar 
invested.  Our  location  is  at  the  center  of  the 
linseed  oil  industry  of  the  United  States.  Remember 
that  our  modern  Paint  Plant  makes  possible  an 
extremely  low  manufacturing  cost. 

While  the  quality  of  Larkin  Paint  is  under  our 
direct  control,  the  condition  of  the  surface  and  the 
method  of  application,  which  are  just  as  important 
for  durability,  are  in  the  hands  of  the  user.  If  you 
are  a  professional  painter  you  will  know  through 
your  own  experience  the  importance  of  proper 
application.  If  you  are  a  home-owner  and  hire  an 
experienced  painter  to  do  your  work,  you  may 
know  that  the  paint  will  be  properly  applied.  If 
you  are  going  to  do  the  work  yourself  you  can  be 
sure  of  good  results,  if  you  read  over  our  directions 
and  follow  them  carefully. 


. . .  11  ii  i  i  ii.  ■  .TTT>.  ■  1’,  Ml  1  l'lin  1 1  >  lllllLMli.  II 1 1 1111  lllliniMIJIIHIIIlllllIll  1 1  ITI'fll  r  I'll  I  Iflllli  I7iriirinn!ll  H  HT 1 II  111  111  ill  111!  II  I'llTini  II H  HI,  lTL 


How  to  Get  the  Best  Results  on 
Surfaces  Exposed  to  the  Weather 


Preparing  the  Surface 

No  painting  job  can  be  successful  unless  the  sur¬ 
face  is  in  the  proper  condition  before  the  paint  is 
applied. 

Do  not  attempt  to  paint  in  damp  or  very  cold 
weather.  The  interior  plaster  work  on  new  structures 
must  be  allowed  to  dry  out  thoroughly  before  apply¬ 
ing  paint  to  the  exterior  as  the  moisture  coming 
through  the  wood  will  cause  blistering  of  the  paint. 

The  surface  of  the  wood  should  be  free 
from  frost,  moisture,  soot  and  dirt.^^j 
Old  paint  which  has  peeled 
or  blistered  must  be  removed 
by  means  of  a  wire  brush  or, 
better  still,  by  a  gasoline  torch. 

On  new  wood,  all  knots  and 
sappy  spots  should  be  brushed 
over  with  turpentine  and 
coated  with  pure  orange  shel¬ 
lac.  Wait  until  after  the 
priming  coat  has  been  applied 
before  filling  nail  holes  and 
cracks  with  putty.  Take  your 
time  and  be  sure  the  surface 
is  right  before  applying  a  drop 
of  paint. 

Mixing  the  Paint 

Cut  out  the  entire  top  of 
the  can.  Pour  off  the  oil  into 
another  container.  Stir  the 
balance  of  the  paint  thor¬ 
oughly  with  a  stiff  flat  paddle 
until  entirely  free  from  lumps, 
then  gradually  pour  back  the 
oil  stirring  vigorously  until  a 
perfectly  uniform  mixture  is 
obtained.  Finally  pour  back 
and  forth  from  one  vessel  to 
another  a  few  times. 

It  is  best  to  mix  all  the 
paint  required  for  one  coat  on  the  entire  job  in  one 
container,  but  care  must  be  taken  to  see  that  it  is 
stirred  each  time  some  is  taken  out  into  the  brush  pot. 

If  the  paint  stands  in  an  open  container  and  a  skin 
forms  on  the  surface  this  must  be  removed  carefully 
and  not  stirred  into  the  paint. 


Larkin  Ready-Mixed  House  Paint  is  made  of  the 
proper  consistency  for  the  final  coat  and  does  not 
require  the  addition  of  drier,  boiled  oil  or  turpentine. 

For  the  first  and  second  coats,  thin  only  as 
directed  below. 

Primer  or  First  Coat  on 
New  Wood 

The  foundation  is  the  most  important  step  in 
N.  any  painting  job.  Unless  the  proper 
\^material  is  used  and  unless  it  is  properly 
applied  the  whole  job  may 
be  spoiled. 

Do  not  make  the  mistake 
of  using  ocher  or  other  cheap 
paint  as  a  primer,  simply 
because  it  is  to  be  covered  up 
by  other  coats.  Good  paint 
may  stick  to  a  poor  priming 
coat  but  it  cannot  make  a 
poor  priming  coat  stick  to  the 
surface  of  the  wood.  The 
more  coats  of  paint  which  are 
applied  over  a  poor  priming 
coat  the  more  certain  it  is 
finally  to  peel  off. 

Do  not  use  the  dark  shades 
such  as  No.  43,  No.  28,  No. 
16,  etc.  for  the  priming  coat 
even  when  they  are  to  be 
used  for  the  finishing  coats. 
White,  ivory  or  gray  should 
be  used  for  the  primer. 

On  very  soft  or  old  weath¬ 
ered  lumber,  add  to  each  gal¬ 
lon  of  paint,  one  half  gallon 
of  raw  linseed  oil  and  one 
pint  of  turpentine. 

For  hard,  close-grained 
wood  add  to  each  gallon  of 
paint  one  pint  of  raw  linseed 
oil  and  one-half  gallon  of 
turpentine. 

On  very  resinous  wood  use  three  quarts  of  turpentine 
to  each  gallon  of  paint  without  the  addition  of  any  oil. 

Keep  the  brush  full  when  applying  the  primer 
and  brush  it  well  into  the  wood.  A  few  hours  extra 
effort  in  properly  brushing  the  primer  may  add  a 
year  of  durability  to  the  job. 


8 


In  repainting  old  work  a  thin  priming  coat  is 
not  necessary  except  on  spots  where  all  the  old 
paint  has  been  removed. 

After  the  primer  is  dry,  fill  all  nail  holes  and  cracks 
with  putty,  using  a  putty  knife  to  press  it  firmly 
into  place. 

Second  Coat  on  New  Wood  or 
First  Coat  over  Old  Paint 

Be  sure  the  priming  coat  is  thoroughly  dry. 
Wait  at  least  four  days  under  good  drying  conditions; 
a  week  is  better.  Thin  each  gallon  of  paint  with 
one  pint  of  turoentine  and  brush  out  well. 

Final  Coat 

Allow  the  second  coat  to  dry  hard  before 
applying  the  final  coat.  The  paint  for  the 
final  coat  needs  no  thinning  of  any  kind 
but  should  be  applied  just  as 
it  comes  in  the  can.  Brush 
it  out  well. 

Remember  that  tnree  thin 
coats  give  much  better  service 
than  one  or  two  thick  coats. 

Painting  on  Brick 

On  account  of  the  free 
lime  contained  in  the  mortar, 
new  brickwork  cannot  be 
successfully  painted.  It  is 
better  to  wait  until  it  has 
aged  at  least  a  year. 

Be  sure  the  surface  not 
only  looks  dry  but  is  thor- 
oughly  dry.  Brickwork 
should  be  painted  after  a 
spell  of  several  days  of  warm, 
dry  weather. 

Use  a  wire  brush  to  remove 
loose  particles  on  the  surface. 

Thin  the  paint  for  the  first 
coat  with  an  equal  quantity 
of  raw  linseed  oil.  Apply  the 
second  and  third  coats  with¬ 
out  thinning. 

On  very  porous  brick  some 
spots  may  have  to  be  given 
an  additional  coat  to  produce 
an  even  gloss  finish. 

Painting  on  Metal 

Remove  all  rust,  scale  and  dirt  with  a  scraper, 
wire  brush  or  sandpaper.  Remove  grease,  oil,  etc. 
with  turpentine  or  gasoline. 

Apply  two  coats  of  paint  without  thinning.  Brush 
out  each  coat  thoroughly  and  allow  the  first  coat  to 
dry  hard  before  the  last  coat  is  applied. 


Special  Suggestions 

You  need  not  hesitate  to  undertake  a  job  of  paint¬ 
ing  merely  because  you  lack  experience.  A  profes¬ 
sional  painter  can  of  course  do  quicker  and  somewhat 
cleaner  work  than  an  amateur  because  his  years  of 
experience  have  naturally  given  him  a  certain  knack 
in  handling  brushes  and  the  other  tools  of  his  trade. 
There  is,  however,  no  reason  why  anyone  who  follows 
the  directions  carefully  can  not  do  satisfactory  work. 
Do  not  attempt  to  hurry  the  work  and  do  not  worry 
about  the  possibility  of  its  not  being  successful. 

When  ordering  your  paint  be  sure  to  include  all 
necessary  supplies;  such  as,  brushes,  sandpaper, 
shellac,  raw  linseed  oil,  turpentine,  putty,  filler,  etc. 

The  description  printed  with  each  offer  and 
the  general  directions  for  painting  and 
varnishing  tell  you  which  of  these 
supplies  you  will  need.  So  read 
them  before  ordering. 

Secure  a  ladder  of  the  proper 
length  to  get  at  all  parts  of 
the  building  to  be  painted.  A 
scaffold  requires  less  shifting 
than  a  single  ladder,  but  re¬ 
quires  care  to  make  it  secure 
against  collapse. 

Be  sure  the  surface  is 
properly  prepared  and  the 
weather  conditions  satis¬ 
factory.  Avoid  application  of 
out-door  paint  in  direct  sun¬ 
light  as  far  as  possible,  as  the 
hot  sun  tends  to  blister  wet 
paint. 

Begin  at  the  top  of  a  build¬ 
ing  and  work  towards  the 
bottom;  finish  the  day’s  work 
just  at  a  corner  or  window- 
frame  to  avoid  laps  and 
streaks. 

In  painting  window-frames 
if  the  edge  of  the  glass  is 
smeared  with  a  little  soap  it 
is  easy  to  wipe  off  any  paint 
which  gets  on  the  glass.  Dry 
paint  may  be  easily  removed 
from  glass  by  scraping  with 
an  old  safety-razor  blade. 

All  colored  House  Paints  are  satisfactory  for 
indoor  work  as  well  as  for  exterior  painting.  Outside 
White,  No.  7,  however,  tends  to  darken  and  turn 
yellow  when  kept  in  the  dark,  so  we  do  not 
recommend  it  for  use  indqors.  We  offer  our 
Inside  White  No.  727  for  this  purpose.  It  is  more 
economical  for  indoor  use  and  is  guaranteed  not  to 
turn  yellow. 


9 


How  to  Estimate  the  Quantity  of  Paint 
Required  for  Any  Building 

Add  together  the  length  of  both  sides  and  the 
width  of  front  and  rear;  multiply  this  by  the  height 
to  the  eaves;  add  one  tenth  for  gables,  etc.  This 
gives  the  number  of  square  feet  of  surface  to  be 
covered. 

Divide  this  by  325, The  number  of  square  feet  one 
gallon  of  Larkin  House  Paint  will  cover  with  two 
coats,  and  you  will  have  the  number  of  gallons  of 
body  paint  needed  in  repainting  old  work. 

In  painting  new  wood  an  additional  34  of  this 
quantity  will  be  needed  to  make  up  the  primer. 
Observe  in  the  directions  that  the  same  color  is  not 
always  used  for  the  primer  as  for  the  finishing  coats. 

The  amount  of  trim  varies  somewhat  with  the 
style  of  architecture  but  it  is  usually  safe  to  figure 
one-fifth  of  the  body  color  for  the  trimming  color. 

A  typical  example  is  as  follows: 

Length  40  ft. 

Width  30  ft. 

Height  to  eaves  19  ft. 

40+40+30+30  = 


Area  of  Walls 
Add  l /1 0  for 
gables 

Total  surface  2926  Sq.  Ft. 

Body  color  for  2  coats 

~^  =  9  Gal. 

Paint  required  for  primer  on 
body-^  =  3  Gal. 

Trimming  color  required  for 
2  coats-^=l  4/3  Gal. 

Primer  required  for  the  trim 
on  new  work  —  =3/3  Gal. 

There  will  also  be  required 
about  two  gallons  of  raw  lin¬ 
seed  oil  for  mixing  the  primer, 
one  gallon  of  turpentine  or 
substitute  turpentine  for  thin¬ 
ning  the  paint,  cleaning 
brushes,  etc.,  a  quart  of 
orange  shellac  for  coating 
knots,  5  pounds  of  putty  for 
filling  nail  holes  and  cracks, 
two  brushes  such  as  our  No. 

1144,  as  it  is  best  to  have  a 
used,  a  brush  No.  11 20  for  painting  window  sashes, 
brush  No.  1130  for  applying  shellac,  a  putty  knife, 
and  a  few  sheets  of  sandpaper. 

The  amount  of  oil  and  turpentine  required 
varies  according  to  the  surface  to  be  painted  and 
the  amount  of  thinning  necessary. 

Read  the  directions  carefully  and  be  sure  to  have 
all  materials  and  tools  ready  before  you  start. 


brush  for  each  color 


Hints  on  the  Selection  of  Colors  for 
Exterior  Work 

Always  use  daylight  in  selecting  colors  from  the 
color  chart,  as  colors  appear  differently  under 
artificial  light. 

In  deciding  on  a  color  scheme  for  exterior  use, 
bear  in  mind  the  style  of  architecture  of  the  build¬ 
ings,  and  the  local  surroundings.  Choose  colors 
which  not  only  harmonize  with  each  other  but  with 
the  color  of  neighboring  buildings. 

Light  shades  make  a  building  appear  large  and 
cause  it  to  stand  out  sharply  from  others.  They  are 
always  preferable  if  the  building  is  surrounded  by 
trees  and  shrubbery. 

The  dark  shades  lend  an  air  of  dignity,  but  make 
a  building  appear  small  and  less  conspicuous.  They 
are  particularly  desirable  in  cities  where  there  is 
much  smoke  and  dirt.  They  may  be  used  with  good 
results  on  a  building  which  stands  by 
itself  at  a  distance  from  other  buildings 
or  trees,  as  they  cause  it  to 
blend  with  the  general  view. 

Loud,  flashy  color  combi¬ 
nations  are  not  in  good  taste. 
Do  not  use  too  many  different 
colors.  Different  shades  of  the 
same  color  are  better  than 
sharp  contrasts. 

All  houses  require  the  use  of 
some  trimming  color  to  set 
them  off  to  the  best  advan¬ 
tage.  The  amount  of  trimming 
required  depends  on  the  style 
of  architecture.  On  the  aver¬ 
age  house  the  trimming  color 
is  used  on  the  under  side  of  the 
eaves,  the  corner  boards,  base 
boards  and  window  and  door 
frames. 

Window  sashes  are  usually 
painted  black,  except  when 
very  little  trimming  color  is 
used,  in  which  case  they  are 
generally  painted  the  same  as 
the  trimming. 

The  trimming  color  may  be 

(I  either  lighter  or  darker  than 

the  body  color  as  desired. 
Porch  ceilings  if  not  varnished, 
should  be  painted  a  light 
shade  which  will  reflect  light 
well.  No.  12  Light  Blue  is  a 
popular  color  for  this  purpose. 

Porch  floors  may  be  painted 
with  whatever  shade  of  floor 
paint  will  blend  with  the 
general  color  scheme.  It  is 
no  longer  thought  that  gray 
is  the  only  satisfactory  color  for  this  purpose. 

We  have  suggested  in  our  color  chart  a  number 
of  color  combinations  which  are  popular.  Do  not 
depend  entirely  on  pictures  and  color  charts.  Study 
over  the  houses  in  your  own  town  and  you  can  get  a 
better  idea  of  what  colors  are  pleasing.  Color  com¬ 
binations  are  more  striking  on  a  large  surface,  such 
as  the  side  of  a  house,  than  they  appear  on  a  color 
chart. 


Protect  Your  Roofs, 

Barns  and  Out-Buildings  with  This 
Economical  Paint 


WITH  the 
present  high 
prices  of 
lumber  and  other 
building  materials 
it  is  true  economy 
to  paint  all  build¬ 
ings  with  good 
paint.  The  cost  of 
paint  1  is  repaid 

_  many  times  by  the 

saving  in  repair  bills. 

Good  common  sense  demands  this  protection  against  decay, 
and  has  led  the  modern  farmer  to  use  more  paint  and  better 
paint  on  his  buildings  than  ever  before.  He  has  in  addition 
a  certain  pride  in  maintaining  the  smart  appearance  of  all  his 
buildings. 


Larkin  Red  Barn  and  Roof  Paint  No.  36  is  made  by  com¬ 
bining  the  best  Spanish  Oxide  with  carefully  refined  oils  and 
grinding  to  an  extreme  degree  of  fineness  with  our  modern 
machinery.  Its  low  price  in  comparison  with  house  paints  is 
secured  by  the  use  of  earth  color  which  is  inexpensive  in  com¬ 
parison  with  white  lead  and  chemically-manufactured  colors. 
If  it  is  desired  to  paint  barn  buildings  any  other  color  than  dark 
red,  it  is  best  to  use  our  regular  house  paint. 

Larkin  Barn  and  Roof  Paint  is  particularly  adapted  for  use 
on  barns,  sheds,  garages,  warehouses,  fences,  roofs,  and  structural 
iron.  It  is  easy  to  apply  and  gives  extremely  good  service.  We 
have  been  manufacturing  this  paint  for 'a  great  many  years  to 
the  satisfaction  of  many  thousand  customers.  One  gallon  will 
cover,  with  two  coats,  about  360  sq.  ft.  on  metal,  or  about 
300  sq.  ft.  on  wood  surfaces.  Apply  it  with  our  No.  1144  brush, 
following  the  same  general  directions  as  given  under  house 
paints. 


Red  Barn-  and  Roof-Paint  No.  36 


A** 

can ,  47C 


can, 


$1.70 


can, 


$1.60  7i. 


SO -gal.  per 

barrel,  Tpl.OU  gal. 


per 


Shipping  weights:  1  qt.,  4  lbs.;  1  gal.,  12  lbs.;  5  gal.,  60  lbs.;  50-gal.  barrel,  580  lbs. 


Give  Your  Shingles  Longer  Life 


The  three  beautiful  shades  of  Larkin  Shingle  Stain  are  pro¬ 
duced  with  permanent  pigment  colors  ground  in  a  creosote  oil 
base  which  not  only  makes  them  highly  decorative  but  wonder¬ 
fully  preservative.  These  stains  not  only  seal  the  pores  of  the 
wood  and  prevent  absorption  of  moisture  but  they  also  prevent 
the  attacks  of  insects,  the  growth  of  fungus  and  other  influences 
which  lead  to  the  decay  of  wood. 

They  are  also  adapted  for  the  protection  and  decoration  of 
all  kinds  of  rough-finished  lumber  intended  for  outdoor  use. 
Pieces  too  bulky  to  be  dipped  may  be  given  two  coats  applied 
with  a  brush.  Shingles  or  other  lumber  which  have  been  painted 
can  not  be  successfully  stained,  as  the  old  paint  prevents  the 
stain  from  properly  soaking  into  the  wood.  It  is  also  impossible 
to  produce  a  light  shade  on  surfaces  which  have  been  previously 
stained  dark. 


1-gal. 
can , 


No.  33  Brown 

$1.25 


No.  46  Red 


Be  sure  the  shingles  are  dry,  otherwise  the  stain  will  not 
penetrate.  Stir  the  stain  thoroughly  to  mix  in  the  color  which 
will  have  settled  to  the  bottom  of  the  can.  Pour  into  a  pan 
and  dip  the  butt  end  of  the  shingle  about  two-thirds  of  its 
length.  Don’t  allow  the  shingles  to  remain  in  the  pan  and  soak 
up  the  stain,  but  remove  them  quickly  and  place  them  in 
a  position  where  the  surplus  stain  can  be  saved  as  it  drains 
off.  When  the  shingles  are  applied  to  the  roof  they  may  be 
given  a  second  coat  of  stain  applied  with  a  large  brush. 

Do  not  add  oil  or  turpentine  to  Larkin 
Shingle  Stain.  If  a  lighter  shade  is  desired, 
thin  with  creosote  oil.  One  gallon  of  stain 
will  be  sufficient  to  dip  about  400  shingles. 

In  applying  a  brush  coat  to  shingles  on  a 
roof,  one  gallon  will  cover  about  200 
square  feet. 

No. 75  Green 


5-gal. 

can, 


$1.15 


50-gal. 

barrel,  Cfll.UD 


Shipping  weights:  1  gal.,  11  lbs.;  5  gal.,  55  lbs.;  50-gal.  barrel,  530  lbs. 


THE  ideal  material  for  repair  work 
on  all  types  of  roofs,  whether  they 
are  made  of  wood,  metal,  con¬ 
crete,  tile,  slate  or  composition. 

It  is  also  exceedingly  useful  for  seal¬ 
ing  around  gutter-drains,  skylights,  etc. 
It  requires  no  cloth  patches,  but  fills 
all  holes  and  crevices  promptly  and 
effectively. 

Made  in  paste  form  for  convenient 
application  with  a  trowel.  For  applica¬ 
tion  on  very  large  surfaces  it  may  be 


thinned  with  creosote  oil  and  applied 
with  a  large  brush. 

It  does  not  dry  out  in  the  container 
but  is  always  ready  for  use.  Especially 
durable  when  exposed  to  the  most 
severe  weather  conditions,  it  remains 
plastic  and  retains  its  elasticity  even 
in  the  extreme  cold  of  winter;  yet  it 
will  not  run  or  soften  under  the  hot 
summer  sun. 

Before  applying  asbestos  cement  go 
over  the  surface  with  a  stiff  brush  to 
remove  all  rough  particles. 


Black  Asbestos  Cement  No.  915 

3  lbs.,  27c  12  lbs.,  $1.02  60  lbs.,  $4.80  600  lbs.,  $36 

Shipping  weights:  3-lb.  can,  4  lbs. ;  12-lb  can,  14  lbs. ;  60-lb.  can.  70  lbs.  ;  600-lb.  barrel,  680  lbs. 


This  is  a  durable  high -gloss  black  finish  with  a 
multitude  of  uses. 

It  can  be  used  with  equally  good  results  indoors  or 
outdoors  on  wood,  metal,  brick,  cement  or  any  other 
surface,  and  will  withstand  heat  or  constant  moisture, 
as  well  as  exposure  to  the  weather. 

We  especially  recommend  it  for  pipes,  agricultural 


implements,  roofs,  window  screens,  fences,  boilers  and 
the  engine  and  frames  of  automobiles. 

It  will  withstand  both  fresh  and  salt  water  so  it 
may  be  used  with  perfect  confidence  on  boats  of  all 
sorts.  Easy  to  apply.  One  coat  is  perfectly  opaque 
and  dries  in  24  hours. 

One  gallon  will  cover  approximately  600  sq.  ft. 


*'pt-  25r 

can , 


Gloss  Black  Paint  No.  1 1 

43c  ‘ $1.50  $1.40  r~  *><•  Zrf:l;  $1.30 


Shipping  weights:  1  pt.,  2  lbs. ;  1  qt.,  3  lbs  ;  1  gal.,  10  lbs. ;  5  gals.,  50  lbs. ;  50  gals.,  480  lbs. 


1111 II  III 

Window  screens  which  are  not  painted  will  quickly  rust. 

Usually  a  coat  of  paint  not  only  greatly  prolongs  the  life  of 
screens  and  prevents  their  becoming  unsightly,  but  also  prevents 
the  damage  which  may  be  done  by  rusty  screens  if  fine  lace 
curtains  blow  against  them. 

Screens  should  be  painted  at  least  once  a  year.  If  they  are 
painted  in  the  spring  they  look  nice  and  fresh  when  they  are 
put  up.  If  they  are  painted  in  the  fall  they  are  protected  against 
dampness  and  all  they  will  need  in  the  spring  is  a  good  cleaning 
to  remove  any  dust  or  dirt  which  may  have  settled  on  them. 

Larkin  Screen  Paint  is  a  durable  gloss  finish  for  both  the  wire 
screen  and  the  wood  frame.  It  is  ready  mixed,  easily  applied 
and  dries  overnight. 


■I 

It  does  not  clog  the  meshes  of  the  screen.  One  quart  is  suf¬ 
ficient  for  about  15  average  size  screens.  One  coat  is  sufficient 
on  the  wire  or  on  frames  which  have  been  previously  painted. 
On  new  wood,  two  coats  are  necessary  to  secure  a  gloss  finish. 

For  a  black  finish  use  Larkin  No.  11  Gloss  Black  Paint.  If 
you  want  a  natural  finish  on  the  frames  use  Larkin  No.  610 
Spar  Varnish  and  apply  screen  paint  on  the  wire  only. 

Before  painting,  clean  both  the  wire  and 
the  frame  with  a  stiff  brush.  Rinse  off  with 
a  hose  and  allow  to  dry  thoroughly.  Stir  the 
paint  well  and  apply  with  a  small  varnish 
brush.  Work  it  in  both  directions  on  both 
sides  to  make  sure  that  all  wires  are  properly 
coated.  Do  not  thin  the  paint  with  oil  or 
turpentine  but  apply  just  as  it  is  in  the  can. 


Green  Screen  Paint  No.  80 


V2-pt.  can,  18c 


1-qt.  can,  55c 

Mailing  weights:  M  pt.,  1  lb. ;  1  qt..  3  lbs. 


Longer  Service  for  Farm  Tools 


ef- 


THE  saving 
fected  by  the 


painting  of  farm 
implements  well 
illustrates  the  fact 
that,  in  the  end, 
“paint  costs  noth¬ 
ing.”  Every  dollar 
invested  in  paint 
saves  other  dollars 
in  the  life  of  farm 
machinery. 

Machinery  on 
the  average  farm  is  subject  to  particularly  hard  wear  and 
is  exposed  to  all  sorts  of  weather.  If  not  kept  properly  protected 
by  paint  the  weather  will  search  out  all  the  weak  spots,  decay 
and  rust  set  in,  and  the  usefulness  of  the  machine  is  quickly 
destroyed. 


Paint  not  only  adds  years  to  the  life  of  the  farm  implements, 
but  reflects  the  pride  of  the  owner  in  keeping  up  the  appearance 
of  his  equipment. 

The  colors  of  Larkin  Implement  Paint  are  bright  and 
attractive,  and,  best  of  all,  they  are  permanent. 

Larkin  Implement  Paint  is  easy  to  apply  and  dries  with  a 
beautiful  gloss  finish  which  is  extremely  tough  and  will  not 
crack  or  peel.  The  same  paint  may  be  used  on  both  ironwork 
and  wood. 

The  up-to-date  farmer  keeps  a  can  of  Implement  Paint 
handy  and  touches  up  his  machinery,  wagons,  etc.  as  they 
need  it. 

Varnish  Brush  No.  1138  is  a  good  size 
for  applying  Implement  Paint.  You 
should  also  order  a  supply  of  Crack  Filler 
No.  451  and  some  Sandpaper. 

Directions  are  printed  on  label  of  can. 


No.  110  Red  No.  120  Green  No.  130  Orange 

1-qt.  can,  83c  l-gal •  can,  $3.10  . 

Shipping  weight  :  1  qt.,  4  lbs.;  1  gal.  15  lbs. 


Putty  No.  456 

5-76.  can,  50c 

A  strictly  high-grade  product  for  glazing,  filling  nail  holes,  etc. 

Made  of  the  right  materials  and  just  the  right  consistency  for  con¬ 
venient  use.  It  positively  will  not  crack  off  if  properly  applied.  Every 
household  should  keep  a  can  of  putty  on  hand  for  setting  broken  window 
panes.  Shipping  weight  6  lbs. 

Putty  Knife  No.  1200 


24c 


We  believe  this  Putty  Knife  will  give  more  value  for  the  price  than 
any  other  made. 

It  has  many  uses  beside  the  setting  of  putty.  The  blade  is  3H  x  1M 
inches,  made  of  the  best  tempered  steel,  and  extends  through  the 
entire  length  of  the  hardwood  handle  which  is  strongly  riveted  to  it 
in  three  places. 

Used  properly  this  tool  will  last  for  years. 

Mailing  weight  3  oz. 


Sandpaper 


Glass  Cutter  No.  1210 


t— : 


10c 


A  strong,  well-made,  especially  durable  tool. 

The  cutting  wheel  is  of  steel,  tempered  to  the  proper  degree  of  hard¬ 
ness  to  insure  accurate  and  dependable  service.  The  iron  handle  is  five 
inches  long,  well  balanced  and  attractively  finished. 

This  cutter  will  last  a  long  time  if  given  reasonable  cafe.  It  should 
be  dipped  in  kerosene  frequently  while  in  use  to  get  the  most  efficient 
service.  Mailing  weight  2  oz. 


The  cost  of  Sandpaper  is  so  low 
in  comparison  to  its  usefulness  that  it  pays  to  buy 
good  quality. 

Strength  and  a  good  cutting  edge  are  the  features  of 
Larkin  Sandpaper.  It  is  made  of  the  best  quality  of 
ground  quartz,  mounted  on  tough  paper  with  strong 
glue. 

We  supply  Larkin  Sandpaper  in  three  degrees  of 
fineness.  No.  00  is  adapted  for  very  fine  work  such  as 
sanding  varnished  surfaces  to  remove  the  gloss.  No.  1 
is  intended  for  ordinary  work  such  as  smoothing 
rough  spots  before  painting.  No.  2  should  be  used  only 
for  very  coarse  work  such  as  smoothing  off  the  end 
grain  and  edges  of  lumber. 

Sandpaper  should  be  kept  in  a  dry  place  as  moisture 
tends  to  soften  the  glue.  After  sanding  any  surface  be 
sure  to  dust  it  off  thoroughly  as  dust  in  the  pores  causes 
holes  and  specks  to  show  in  the  varnish  applied  over  it. 

No.  00,  package  of  24  sheets,  28c 

No.  1,  “  “  “  “  ,  33c 

No.  2,  “  “  “  “  ,  41c 


Mailing  weights:  No.  00,  10  oz.;  No.  1,  12  oz.;  No.  2, 
18  oz. 


Resist  Wear  and  Weather 


OUTSIDE  house  paints  cannot  be  used  to  the  best  advan¬ 
tage  on  floors  because,  while  they  will  stand  weather 
exposure,  they  are  not  adapted  to  resist  the  constant 
wear  and  tear  to  which  floor  paints  are  subjected. 

Such  is  the  toughness  and  durability  of  Larkin  Floor  Paints, 
that  they  will  withstand  severe  scrubbing  and  abrasion,  as  well 
as  exposure  to  the  weather. 

They  are  adapted  for  use  on  interior  or  exterior  floors,  porch 
steps,  etc.,  and  may  be  used  with  equally  good  results  on  wood, 
cement,  linoleum,  etc. 

Larkin  Floor  Paints  are  ready  mixed,  easily  applied,  and  dry 
overnight  with  a  good  gloss.  Permanent  pigment  colors,  linseed 
oil  and  high-grade  floor  varnish  are  used  in  their  manufacture. 

Made  in  a  variety  of  pleasing  neutral  tints  that  will  blend 
with  any  color  scheme.  The  modern  painter  has  discarded  the 
old  idea  that  gray  is  the  only  color  to  use  in  painting  porch  floors. 

A  couple  of  coats  of  bright,  fresh,  floor 
paint  are  a  wonderful  aid  in  improving 
the  appearance  of  a  room.  Larkin  Floor 
Paint  covers  up  olcl  floors  that  are  worn 
and  disfigured  and  makes  them  surprisingly 


easy  to  keep  clean. 

It  preserves  the 
wood  and  saves 
enough  in  repair 
bills  to  pay  for  its 
cost. 

When  you  buy 
a  new  rug,  or  some 
new  furniture,  sup¬ 
ply  a  proper  back¬ 
ground  for  it  with 
a  fresh  coat  of 
floor  paint  in  a 
harmonizing  color. 

When  you  redecorate  the  walls  and  woodwork  in  a  room  with 
Larkin  Flat  Paint  and  Enamel  don’t  let  the  floor  look  shabby 
by  comparison.  Complete  the  job  by  giving  it  a  fresh  coat  of 
floor  paint. 

Larkin  Paint  Brush  No.  1144  is  the  most  satisfactory  brush 
for  applying  Floor  Paint.  If  painting  new  wood,  you  will  need 
shellac  for  coating  knots  and  sappy  places,  No.  14  House  Paint 
for  a  priming  coat,  raw  linseed  oil  and  turpentine  for  mixing 
with  priming  coat  and  Crack  Filler  No.  451.  Old  floors  do  not 
need  a  priming  coat,  but  Crack  Filler  No.  451  and  sandpaper 
are  needed. 

Directions  are  printed  on  label  of  can. 


Order  by  Name  and  Number 

No.  203  Dark  Brown  No.  205  Olive  Green  No.  208  Yellow 

No.  204  Dark  Gray  or  Lead  Color  No.  206  Terra  Cotta 

1-qt.  can,  61c  1-gal-  can,  $2.25 


Shipping  weights:  1  qt.,  4  lbs.;  1  gal.,  13  lbs. 


Crack  Filler 
No.  451 

3-lb.  can,  50c 

'  For  filling  cracks  and  holes  on  all 
indoor  surfaces  before  painting  or 
varnishing. 

Ordinary  putty  is  too  greasy  and 
slow-drying  for  this  purpose;  paste 
filler  dries  too  hard  and  will  not  with¬ 
stand  expansion  and  contraction  suf¬ 
ficiently  to  hold  in  the  large  cracks. 

No.  451  Crack  Filler 
dries  hard  and  at  the 
same  time  retains  suf¬ 
ficient  elasticity  to 
keep  it  from  crumb¬ 
ling.  3  lbs.  are  suf¬ 
ficient  to  fill  the  cracks 
mm  *n  an  ordinary  floor  of 
a  12  x  12  room. 

Shpg.  wt.  4  lbs. 


Liquid  Filler 
No.  643 

1-gal.  can,  $1.60 

A  quick,  hard-drying,  pigment  first- 
coater  for  use  on  close-grained  woods 
such  as  pine,  maple  and  birch,  before 
varnish  is  applied. 

Where  low  first  cost  is  an  essential 
consideration,  the  use  of  one  coat  of 
liquid  filler  followed  by  one  coat  of  varnish 
gives  a  finish  which  is  nearly  equal  in 
appearance  to  that  produced  by  three 
coats  of  varnish  on  bare  wood. 

We  do  not  advise  the 
use  of  liquid  filler  as  an 
undercoater  on  floors,  j 
exterior  work  or  other  I 
surfaces  subject  to  ex¬ 
tremely  hard  wear. 

Shipping  weight  10 
lbs. 


Paste  Filler 


No.  455  Dark 

can,  30c 


No.  454  Light 
2-lb. 

For  filling  the  pores  of  open-grained 
woods  such  as  oak,  mahogany  and  ash, 
before  varnish  is  applied. 

Made  of  the  best  grade  of  pulverized 
silica  mixed  to  a  heavy  paste  with  hard- 
drying  oils.  Full  directions  for  use  are 
given  on  the  label,  also  on  page  21  under 
directions  for  varnishing. 

Use  No.  454  Light  Filler  for  wood  which 
is  to  be  finished  with  clear  varnish,  light 
oak,  or  cherry. 

Use  No.  455  Dark 
Filler  for  dark  oak, 
walnut,  or  mahogany. 

Shipping  weight  3 
lbs. 


rOR  INSIDE  USE 

pUR  DECORATING  WALLS  AND  WOODWORK. 


LIGHT  TAN  124 


ONE  QUART 


Lctrfctti 


*’1miF*!;tu,1£Rj  0,  p„,st%  ado  V4»*IS«** 

MtUco  BUFFALO  PEMI* 


Larkin  Flat  Paint 


Order  by  Name 

and  Number 

No.  716 

Light  Blue 

No.  722 

Ivory 

717 

White 

723 

Apple  Green 

718 

Silver  Gray 

724 

Light  Tan 

719 

Pearl  Gray 

725 

Yellow 

720 

Light  Green 

726 

Dark  Tan 

721 

Pink 

728 

Russet 

For  Sample  Colors,  see  page  19 


1-qt.  can,  61c  l-gal.  can,  $2.25 

Shipping  weights:  I  qt.,  5  lbs.;  I  gal.,  16  lbs. 


Larkin  Flat  Paint  is  designed  to  meet  the  increasing  demand 
for  a  durable,  artistic,  sanitary  and  economical  coating  for 
interior  walls,  ceilings  and  woodwork. 

It  imparts  to  all  surfaces  the  beautiful  flat,  velvet-like  finish 
so  much  desired  for  the  decoration  of  offices,  hotels,  apartments, 
theaters,  churches,  hospitals,  and  homes.  It  is  especially  adapted 
for  use  on  smooth  and  rough-finished  plaster  and  cement  sur¬ 
faces,  and  on  wood,  metal,  fiber-board,  canvas,  and  burlap. 
Designed  for  interior  use  only. 

The  finish  produced  is  both  restful  and  pleasing.  From  the 
wide  variety  of  tints  in  which  we  offer  Larkin  Flat  Paints  the 
most  artistic  combinations  can  be  evolved.  A  still  greater  range 
of  tints  may  be  secured  by  mixing  the  regular  shades.  Any 
regular  shade  may  be  lightened  by  the  addition  of  white.  The 
color  of  even  the  most  delicate  tint  is  absolutely  permanent. 

Larkin  Flat  Paint  is  the  most  sanitary  coating  which  can  be 
used  on  walls  and  ceilings,  as  it  produces  a  hard,  non-porous, 
durable  surface  which  may  be  easily  cleaned,  either  with  Larkin 
Cleaning  Paste  or  by  washing  with  soap  and  water.  Any  number 


of  cleanings  will  not  injure  the  finish.  It  will  not  rub  off  like 
kalsomine  or  cold-water  paint. 

Larkin  Flat  Paint  is  in  no  sense  a  cheap  finish,  but  it  is  a 
highly  economical  one.  The  first  cost  is  but  little  higher  than 
that  of  kalsomine,  but  it  can  be  cleaned  repeatedly  without 
renewal.  When  it  is  desired  to  change  the  color  it  is  not  neces¬ 
sary  to  remove  the  old  finish,  but  just  to  paint  over  it.  One 
gallon  will  cover  approximately  500  sq.  ft.  with  one  coat, 
depending  on  the  condition  of  the  surface. 

This  paint  flows  so  easily  that  anyone  can  apply  it  without 
showing  streaks  or  brush  marks.  It  dries  overnight. 

Brush  No.  1144  is  a  good  size  to  use  for  Flat  Paint.  In  paint¬ 
ing  new  wood  you  will  need  orange  shellac  for  coating  knots 
and  sappy  places.  On  porous  surfaces  such  as  new  plaster, 
wood,  fiber-board,  brick  and  canvas,  the  first  coat  should  be 
thinned  with  an  equal  quantity  of  No.  645  Sizing  Varnish. 
Cracks  and  nail  holes  should  be  filled  with  Crack  Filler  No.  451. 

Directions  are  printed  on  the  label  of  each  can. 


Selection  of  Color  Schemes  for  Interior  Decoration 


In  the  making  of  better  homes  no  single  item  goes  further 
than  paint,  used  in  a  judicious  manner. 

How  useless  it  is  to  fill  a  room  with  new  furniture,  rugs, 
draperies,  etc.,  if  the  floor  is  old  and  marred,  the  woodwork 
scratched  and  dirty,  or  the  walls'  finished  in  a  color  scheme 
entirely  out  of  harmony  with  the  new  furnishings! 

Compared  with  the  cost  of  the  new  furnishings,  the  cost  of 
the  paint  necessary  to  get  the  proper  background  is  trifling 
indeed.  Having  a  proper  background  adds  much  to  the  appear¬ 
ance  of  either  old  or  new  furniture. 

In  the  selection  of  colors,  consider  first  the  location  of  the 
room.  North  and  east  rooms  are  naturally  shady  and  warmer 
colors  should -be  used  than  in  rooms  having  plenty  of  light, 
where  the  darker  shades  are  appropriate.  Yellow,  light  tan, 
and  pink  reflect  light  excellently  and  are  considered  warm  colors. 


Having  selected  the  color  for  the  side-wall,  a  lighter  shade 
should  be  chosen  for  the  ceiling,  and  a  darker  shade  for  the  base¬ 
board  and  floor,  in  order  to  get  the  most  pleasing  effect.  A 
picture  molding  may  be  placed  along  the  upper  part  of  the  wall 
about  12  inches  below  the  ceiling,  and  the  ceiling  color  continued 
down  to  this  point  on  the  wall. 

Sometimes  the  lower  part  of  the  side- wall  is  painted  a  darker 
shade  than  the  upper  part  in  order  to  get  the  effect  of  wains¬ 
coting.  If  this  is  done,  care  must  be  taken  to  get  a  straight-line 
division  of  the  side-wall  at  an  even  height  all  around  the  room. 

The  color  of  the  woodwork  should  either  harmonize  with  the 
walls  or  be  an  agreeable  contrast.  Gloss  enamel  is  more  appro¬ 
priate  than  flat  paint  for  use  on  woodwork,  and  is  somewhat 
easier  to  keep  clean.  It  may  be  used  with  excellent  results 
regardless  of  whether  the  walls  are  papered  or  painted. 


15 


(•tkmCt 


parkin  Co. 


Wall  Size  No.  989 


l-qt.  can,  25c  1-gal*  can,  80c 


Sizing  Varnish  No.  645 


1‘qt- 

can ,  4lC 


'c'fn!'  $1.45  "In';  $1.35  "gal. 

To  secure  durable  and  satisfactory  results  with  Larkin  Flat  Paints, 
on  porous  surfaces  such  as  new  plaster,  wood,  canvas,  etc.,  the  first 
coat  should  be  a  mixture  of  equal  parts  of  No.  645  Sizing  Varnish  and 
flat  paint  of  the  color  desired.  * 

Be  sure  the  surface  to  be  painted  is  clean  and 
dry.  It  is  especially  necessary  with  new  plaster  to 
allow  plenty  of  time  for  drying  and  seasoning  before 
attempting  to  paint  it,  for  if  it  retains  any  moisture, 
the  paint  will  peel  later  on.  Holes  and  cracks  in  old 
plaster  should  be  filled  with  Plaster  of  Paris. 

Apply  the  paint  freely  with  a  wide  brush  such  as 
our  No.  1 144  and  brush  it  well  into  the  pores.  Allow 
it  to  dry  at  least  24  hours  before  the  second  coat  is 
applied.  One  gallon  of  No.  645  Sizing  Varnish 
mixed  with  one  gallon  of  flat  paint  will  cover  ap¬ 
proximately  1000  sq.  ft.  depending  on  the  condition 

of  the  surface  to  which  it  is  applied.  Hhl  vwwssswrwss 

Mailing  and  shipping  weights:  1  qt.,  3  lbs.;  1 
gal.;  10  lbs.;  5  gal.,  50  lbs. 


We  recommend  the  use  of  gloss  enamel  on  the  woodwork 
when  decorating  walls  with  Flat  Paint.  Choose  a  color  which 
offers  some  contrast  to  the  color  of  the  flat  paint  on  the  side 
walls,  but  which  harmonizes  with  the  whole  decorative  scheme. 

Gloss  enamels  are  also  especially  adapted  for  use  on  stairways, 
furniture,  cupboards,  plumbing,  toys,  etc.  Some  people  prefer 
a  high-gloss  finish  on  bathroom  and  kitchen  walls  and  ceilings; 
for  this  purpose,  Larkin  Gloss  Enamel  may  be  used  with  excel¬ 
lent  results.  They  are  made  in  a  variety  of  permanent  tints  to 
please  the  most  fastidious  taste. 

On  small  jobs,  and  on  old  surfaces  which  are  clean  and 
approximately  the  same  color  as  the  enamel  to  be  used,  satis¬ 
factory  results  may  be  obtained  by  the  application  of  two 
coats  of  enamel.  It  is  generally  better  to  build  up  a  foundation 
with  a  similar  color  of  flat  paint.  In  this  way,  it  is  possible  to 
secure  a  smooth  surface  of  the  proper  color  with  fewer  coats,  as 
flat  paint  has  better  covering  properties  than  gloss  enamel. 

One  gallon  of  Larkin  Gloss  Enamel  will  cover  about  600  square 
feet  with  one  coat. 

Directions  are  printed  on  the  label  of  the  can. 


l-qt.  can,  75c 
No.  707  White 

l-qt.  can,  80c 


No.  687  Pink  No.  689  Light  Green  No.  709  Ivory 
No.  688  Drab  No.  690  Light  Blue  No.  710  Silver  Gray 

For  Sample  Colors,  see  page  19 


1-pt.  can,  40c 


l-gal.  can,  $2.  75 


1-pt.  can,  43c 


l-gal.  can,  $3 


Mailing  and  shipping  weights:  1  pt.,  3  lbs.;  1  qt.,  5  lbs.;  1  gal.,  14  lbs. 


A  glue  size  made  especially  for  use  on  new  plaster 
before  wall  paper  or  kalsomine  is  applied. 

Be  sure  the  plaster  is  dry.  Remove  all  loose  par¬ 
ticles  with  a  stiff  brush.  Apply  wall  size  with  a  wide 
brush,  such  as  our  No.  1144,  which 

jS _ has  not  been  used  in  paint  or  var- 

~  nish.  After  being  used,  the  brush 

may  be  cleaned  by  rinsing  thor- 
^  oughly  in  hot  water. 

Allow  wall  size  to  dry  twenty- 
four  hours  before  papering  or  paint¬ 
ing  over  it.  One  gallon  will  cover 
approximately  500  square  feet. 

Mailing  weights:  1  qt.,  3  lbs.;  1 
gal.,  11  lbs. 


Larkin  Gloss  Enamels  are  of  the  same  high  quality  as  the 
rest  of  the  Larkin  Paints  and  are  intended  for  interior  use  only. 
They  dry  to  a  smooth,  tile-like  surface  which  is  pleasing  to  the 
eye  and  exceptionally  durable.  As  an  enamel  finish  is  opaque, 
and  covers  completely  the  old  finish  under¬ 
neath,  it  is  well  adapted  for  the  refinishing 
of  old  surfaces  which  are  much  discolored 
or  marred,  although  it  is  equally  adapted 
for  the  finishing  of  newr  work. 

When  you  buy  new  furniture  for  a  room, 
give  it  a  proper  background  by  finishing 
the  woodwork  in  a  harmonizing  shade  of 
gloss  enamel.  A  few  dollars  expended  in  this 
way  work  a  tremendous  improvement. 

If  you  have  some  pieces  of  furniture 
which  are  old  and  marred  but  still  service¬ 
able,  give  them  a  new  lease  of  life  by  refin¬ 
ishing  with  gloss  enamel. 

If  you  buy  new  pieces  of  furniture  with 
an  enamel  finish,  you  can  make  the  rest  of 
your  set  match  them  by  the  use  of  the 
proper  color  of  gloss  enamel. 


For  the  Very  Finest 
Interior  and  Exterior  Decoration 

Equal  to  the  finest  foreign  or  domestic 
enamels  in  whiteness,  durability,  and  finish. 


N0.711  'tan':  30c  IX:  55c  'X:  $1.05  'x';  $4 

Shipping  weights:  H  pt.,  2  lbs.;  1  pt.,  3  lbs.;  1  qt.,  5  lbs.;  1  gal.,  15  lbs. 


FEW  modern  homes  are  finished  without  white  enamel  in  at 
least  one  room;  more  often  several. 

Nothing  is  more  attractive  in  the  reception  or  living-room 
than  a  combination  of  white  enamel  and  mahogany.  In  the 
dining-room,  white  enamel  forms  a  most  pleasing  background 
for  the  display  of  silver  and  cut-glass  and  is  especially  attractive 
with  mahogany  furniture.  In  the  bathroom  and  kitchen,  it  gives 
that  air  of  spotless  cleanliness  on  which  good  housekeepers 
pride  themselves.  It  blends  beautifully  with  the  delicate  tints 
usually  employed  in  the  decoration  of  bedrooms. 

White  enamel  is  the  best  means  of  refinishing  old  woodwork 
and  furniture.  No  matter  what  the  old  finish  looks  like,  no 
matter  how  badly  it  is  marred.it  can  be  made  to  look  like  new 
with  white  enamel.  White  enamel  gives  to  bathtubs  and  refrig¬ 
erators  the  porcelain-like,  sanitary  finish  which  may  be  scrubbed 
repeatedly  without  injury. 

The  production  of  a  satisfactory  white  enamel  is  the  most 
difficult  problem  in  the  paint-makers’  art. 

The  extreme  whiteness  of  Larkin  Superfine  White  Enamel  is 
obtained  by  the  use  of  high-grade  French  process  oxide  of  zinc 
combined  with  the  palest  hard  varnish  gums  and  specially 
refined  oils.  Our  treatment  of  these  materials  insures  an  enamel 
which  stays  white  under  the  most  unfavorable  conditions. 
Even  in  dark  hallways  and  closets,  where  other  enamels  rapidly 
turn  yellow,  our  No.  711  retains  its  original  whiteness. 


It  flows  so  freely  without  showing  streaks  or  brush  marks, 
that  it  can  be  successfully  applied  by  anyone.  This  feature 
should  appeal  especially  to  the  amateur  who  is  naturally  slower 
in  finishing  corners  and  covering  surfaces  than  the  professional 
painter.  On  the  other  hand,  the  experienced  workman  will  find 
that  our  enamel  enables  him  to  work  much  more  rapidly,  and 
cover  more  surface  in  a  day  than  he  is  able  to  do  with  any  other 
enamel. 

The  opacity  of  Larkin  Superfine  Enamel  is  exceptionally 
good  so  that  on  small  parts  it  can  often  be  used  without  any 
undercoat.  The  use  of  an  undercoat,  however,  is  usually  desir¬ 
able  on  large  work  as  it  saves  both  time  and  money. 

Larkin  Superfine  White  Enamel  dries  with  a  rich  gloss  which 
very  closely  resembles  porcelain.  It  will  withstand  exposure  to 
the  weather,  as  well  as  the  scrubbing  and  abrasion  to  which  it  is 
subject  on  interior  work.  It  will  never  crack  or  peel  under  any 
condition,  if  it  is  properly  applied. 

We  are  able  to  offer  it  at  our  exceptionally  low  price,  only 
because  we  manufacture  it  in  huge  quantities  and  sell  direct  to 
the  consumer.  One  gallon  will  cover  approximately  550  sq.  ft. 

Use  No.  1138  Brush.  If  painting  new  wood,  a  priming  coat  of 
No.  7  House  Paint  thinned  with  Turpentine  should  be  used. 
Fill  cracks  and  nail  holes  with  Crack  Filler  No.  451.  Two  or 
three  coats  of  White  Enamel  Undercoater  No.  715  should  be 
applied  to  new  wood,  old  surfaces  of  dark  color  and  to  metal 
surfaces.  Follow  directions  printed  on  label. 


Semi- Gloss  Inside  White  No.  727 


White  Enamel  Undercoater  No.  715 


l-qt.  can,  61c  1-gal-  can,  $2.25 

This  white  has  all  of  the  easy  working  properties 
and  high  opacity  which  characterizes  Larkin  Ready- 
Mixed  House  Paint. 

Especially  prepared  for  use  indoors  and  will  not 
turn  yellow  even  when  used  in  dark  closets  and  hall¬ 
ways.  Dries  overnight  with  a  beautiful  egg-shell 
gloss,  and  is  exceptionally  easy  to  keep  clean. 

Particularly  desirable  for  painting  kitchen  and 
bathroom  walls  and  for  the  interior  of  farm  buildings. 
Two  coats  are  usually  sufficient  although  three  are 
sometimes  required  on  very  dark  surfaces.  It  is 
extremely  economical  to  use  as  one  gallon  will  cover 
500  sq.  ft.  one  coat. 

It  requires  no  thinning  but  is  already  prepared  the 
proper  consistency  for  application.  On  large  surfaces, 
use  a  wide  brush  such  as  our  No.  1144;  on  small  sur¬ 
faces,  a  brush  such  as  our  No.  1134  or  No.  1130  may 
be  used. 

Shipping  weights:  1  qt.,  5  lbs.;  1  gal.,  16  lbs. 


lA-pt.  can,  25c  l-qt.  can,  75c 

l-pt.  can,  40c  l-gal.  can,  $2.80 

A  good  foundation  is  essential  for  successful  enamel 
work.  Our  enamel  undercoater  is  ideal  for  this  purpose. 

It  is  economical,  as  it  works  and  brushes  so  easily 
that  it  can  be  applied  by  anyone.  It  covers  better, 
and  requires  less  sanding  to  obtain  a  smooth  finish 
than  ordinary  flat  paint.  It  may  be  used  under  white 
or  under  any  light  tint  of  enamel  and  is  especially 
valuable  in  refinishing  bedsteads  and  other  articles 
on  which  the  old  enamel  is  badly  chipped  and  cracked. 

One  gallon  will  cover  approximately  600  sq.  ft. 
one  coat.  Sufficient  coats  should  be  applied  to  get  a 
perfectly  smooth,  opaque,  white  surface  before  any 
enamel  is  applied. 

New  wood  should  be  given  a  priming  coat  of  No.  7 
House  Paint  thinned  with  Turpentine.  Plaster, 
canvas,  and  other  porous  surfaces  should  have  a 
priming  coat  of  equal  parts  of  Enamel  Undercoater 
and  Sizing  Varnish  No.  645. 

Follow  directions  printed  on  label. 


Impart  a  Beautiful  Gold  or  Aluminum  Finish  to 


Metal  Beds 
Picture  Frames 
Bric-a-Brac 


Chandeliers 
Gas  Pipes 
Water  Pipes 


Steam  Pipes 
Radiators 
Water  Tanks 


Beautiful  decorative  effects  may  be 
obtained  by  the  use  of  Bronze  enamels  on 
beds,  picture  frames,  water  tanks,  pipes 
and  in  many  other  places  around  the  home. 
Larkin  Bronze  Enamels  are  heat-resisting 
and  therefore  suitable  for  use  on  stoves, 
automobile  engines,  steam  radiators,  etc. 

In  order  to  furnish  a  bronze  finish  hav¬ 
ing  a  true  metallic  luster,  Larkin  Bronze 
Enamel  is  put  up  with  the  bronze  powder 
and  the  liquid  in  separate  packages.  By 
mixing  them  just  prior  to  the  time  of 
application  a  finish  of  true  metallic  appear¬ 
ance  and  brilliancy  is  obtained.  Only  such 


quantities  should  be  mixed  at  one  time  as 
will  be  used  within  a  few  hours. 

We  include  a  small  brush  with  the  two- 
ounce  package  but  not  with  the  larger 
sizes.  For  small  work  such  as  picture 
frames,  use  our  special  Bronze  Brush 
No.  1110;  for  large  surfaces  use  a  flat 
varnish  brush.  To  obtain  the  Vernis- 
Martin  finish,  which  is  particularly  pop¬ 
ular  for  bedsteads,  mix  some  gold  bronze 
enamel  and  allow  it  to  stand  for  two  or 
three  days  in  a  closed  container.  Stir 
thoroughly  and  apply  one  coat.  Allow  it 
to  dry  for  24  hours  and  apply  one  or  two 
coats  of  No.  673  Dark  Oak  Varnish. 


Order  by  name  and  number 


Keep  your  hot  water  tank  and 
open  plumbing  attractive  with 
Aluminum  Bronze  No.  461. 


Aluminum  Bronze  No.  461  Gold  Bronze  No.  462 

2-oz.  package,  15c  8-oz.  package,  45c  2-oz.  package,  17^C  8-oz.  package,  55c 

Mailing  weights:  2-oz.  package,  lA  lb.;  8-oz.  package,  1  Vz  lbs. 


The  above  packages  contain  both  powder  and  liquid  in  the  proper  proportions, 
separately  in  larger  quantities  at  the  following  prices: 


We  offer  them 


Gold  Bronze  Powder  No.  281 
3-lb.  package,  $4.80 

(Enough  for  1  gal.  of  liquid.) 

Mailing  weight  4  lbs. 


Bronzing  Liquid  No. 

1-gal.  can,  $2 

Mailing  weight  10  lbs. 


972  Aluminum  Bronze  Powder  No.  286 

lY^-lb.  package,  $2.85 

(Enough  for  1  gal.  of  liquid.) 

Mailing  weight  2  p>  lbs. 


There  are  numerous  objects  around  the  home  requiring  a  dull 
black,  velvet  finish  such  as  is  given  by  this  paint.  It  may  be  used 
on  wood,  metal  or  any  other  surface.  It  is  suitable  for  picture 
frames,  andirons,  chandeliers,  etc.  As  it  is  heat-resistant,  it  is 
especially  adapted  for  use  on  stoves,  radiators  and  other  surfaces 
which  have  to  withstand  high  temperatures. 

Not  intended  for  use  on  surfaces  which  have  to  withstand  severe 
exposure  to  the  weather.  One  coat  is  perfectly  opaque  and  dries 
hard  in  a  very  few  hours. 

To  obtain  the  popular  Flemish  finish  on  new  oak,  apply  one 
coat  of  flat  black  and  wipe  off,  across  the  grain, 
with  a  soft  cloth  while  the  paint  is  still  wet. 
Finish  with  wax,  shellac  or  varnish  when  the 
black  left  in  the  pores  of  the  wood  is  dry. 

A  mixture  of  equal  parts  of  No.  601  Flat 
Black  and  No.  700  Black  Auto  Enamel  makes 
an  excellent  semi-gloss  finish  for  auto  lamps 
and  accessories. 

Mailing  weights:  Y  pt.,  1  lb.;  1  qt.,  4  lbs. 

Flat  Black  Paint  No.  601 
Y-pt.  can,  17}/2C  1-qt.  can,  50c 


A  durable,  black,  glossy  finish  for  all  metal  surfaces  which 
have  to  withstand  extremes  of  heat,  cold  or  dampness.  Espec¬ 
ially  adapted  for  use  on  stove  pipes,  steam  pipes,  automobile 
engines  and  a  great  variety  of  other  articles  around  the  home 
and  farm. 

It  absolutely  prevents  rust  on  iron  articles  stored  in  damp 
places.  Stove  pipes  should  always  be  painted  with  it  before 
being  put  away  for  the  summer.  Larkin  Stove  Pipe  Enamel 
has  extraordinary  elasticity  and  will  not  chip,  crack  or  peel  in 
the  coldest  weather. 

Care  should  be  taken  to  remove  all  rust, 
scale  and  grease  from  metal  which  is  to 
be  painted.  Apply  Larkin  Stove-Pipe  and 
Iron  Enamel  with  a  clean  varnish  brush. 

If  it  becomes  thick  on  standing  in  an  open 
can,  it  may  be  thinned  with  a  very  little 
turpentine. 

Mailing  weights:  pt.,  1  lb.;  1  qt.,  3 

lbs. 


Stove-Pipe  and  Iron  Enamel 
No.  121 

Yi-pt.  can,  15c  1-qt.  can,  40c 


A 


18 


USE  daylight  in  selecting  your  cole 
under  artificial  light.  Make  alio 
of  the  Flat  Paints  and  Enamels  do  not 
of  the  page  with  the  necessarily  limi 
therefore,  as  they  will  appear  on  the  si 


HOUSE  PAINTS 


No.  12  Light  Blue 
For  Porch  Ceilings,  etc. 


No.  4  Flesh 
Trim  with  19.  39  or  43 


No.  20  French  Gray 
Trim  with  16.  39  or  43 


No.  14  Pearl  Gray 
Trim  with  8  or  39 


No.  24  Drab 
Trim  with  4.  7  or  19 


No.  34  Dark  Blue-Gray 
Trim  with  7.  8  or  14 


No.  13  Buff 
Trim  with  7,  19  or  14 


No.  43  Leather  Brown 

Trim  with  4.  18  or  24 


No.  39  Cream  Green 
Trim  with  13.  1 9  or  20 


No.  19  Willow  Green 
Trim  with  9  or  18 


No.  9  Olive  Green 
Trim  with  8  or  39 


No.  29  Dark  Green 
Trim  with  7.  18  or  28 


No.  8  Ivory 
Trim  with  19  or  34 


No.  18  Medium  Yellow 
Trim  with  9.  29  or  43 


Trim  with  8.  13  or  29 


No.  16  Venetian  Red 
Trim  with  9,  13  or  14 


Also  made  in  Black  No.  1,  and  White  No.  7,  not  shown  above. 


FLAT  PAINTS 


No.  722  Ivory 


No.  723  Apple  Green 


No.  718  Silver  Gray 


No.  725  Yellow 


No.  719  Pearl  Gray 


No.  724  Light  Tan 


No.  721  Pink 


No.  726  Dark  Tan 


No.  716  Light  Blue 


No.  728  Russet 


No.  720  Light  Green 


No.  601  Black 


No.  28  Orange  Yellow 

No.  80  Green 


No.  36  Red 


BRONZE  ENAMELS 


No.  461  Aluminum 


No.  462  Gold 


19 


!  >m  these  pages,  as  they  appear  differently 
i  for  the  fact  that  the  delicate  tints  of  some 
i  out  strongly  against  the  white  background 
ze  of  the  sample  panels.  Imagine  them, 
i  to  be  painted. 


FLOOR 

PAINTS 


No.  203  Dark  Brown 


No.  204  Dark  Cray 


No.  205  Olive  Green 


No.  206  Terra-Cotta 


GLOSS  INTERIOR 
ENAMELS 


No.  709  Ivory 


No.  710  Silver  Gray 


No.  688  Drab 


No.  689  Light  Green 


COLORED  VARNISHES 


No.  663  Light  Oak 


No.  686  Cherry 


No.  673  Dark  Oak 


No.  696  Mahogany 


No. 683  Walnut 


No.  695  Graining  Comp. 


No.  208  Yellow 

No.  690  Light  Blue  No.  687  Pink 

No.  130  Orange 

IMPLEMENT  PAINTS 


No.  110  Red 


jnmni 


No.  120  Green 


SHINGLE  STAINS 


No.  33  Brown 


No.  46  Red 


No.  75  Green 


AUTO  ENAMELS 


No.  700  Black 


No.  706  Brewster  Green 


No.  714  Brown 


PTC 


No.  702  Bright  Blue 


No.  708  Ivory 


No.  701  Surfacer 


No.  704  Carmine 


No.  713  Gray 


No.  463  Exhaust  Pipe 


Kav? . 


Larkin  Auto 
Enamels  make  it 
possible  for  anyone 
to  refinish  his  own 
car  so  that  he  will 
take  a  new  pride  in 
its  appearance. 

It  is  possible  for 
anyone  using  them 
to  get  a  bright, 
spick -and  -  span 
finish  which  will 
add  immeasurably 
to  the  beauty  of  an 
old  car. 

The  expenditure  required  is  trifling  compared  with  the  results 
achieved,  and  you  can  have  your  car  in  a  few  days,  while  send¬ 
ing  it  to  a  shop  to  be  refinished  usually  deprives  you  of  its  use 
for  a  long  period,  to  say  nothing  of  the  expense  for  having  the 
work  done.  When  a  car  is  giving  good  service,  it  is  folly  to 
lose  the  use  of  it  simply  because  the  finish  has  become  shabby. 

If  you  decide  to  refinish  your  car,  you  will  be  better  satisfied 
in  the  end  if  you  do  a  thorough  job;  refinish  the  chassis  and 
wheels  as  well  as  the  body. 


Make  Your  Last  Year’s  Auto 
Look  Spick  and  Span 

Do  not  neglect  to  enamel  the  engine,  polish  up  the  metal  work 
and  go  over  the  top  and  upholstery  with  a  coat  of  leather  dress¬ 
ing.  All  parts  that  you  do  not  brighten  up  will  look  shabby  in 
contrast  with  the  new  work. 

The  work  of  refinishing  a  car  is  neither  difficult  nor  tedious, 
and  there  is  no  reason  why  it  should  not  be  done  successfully 
by  anyone.  Ordinary  care  without  attempting  undue  haste  is 
all  that  is  necessary. 

If  you  are  ready  to  purchase  a  new  car  you  can  often  add 
50%  to  the  price  you  will  get  for  your  old  one  by  refinishing  it 
with  Larkin  Auto  Enamel.  You  may  find  it  looks  so  good  that 
you  will  decide  to  keep  it  for  another  year. 

Larkin  Auto  Enamel  is  easily  applied,  flow's  freely,  and  dries 
overnight,  leaving  a  glossy  finish  of  extreme  durability.  It  is 
heat-resistant  and  oil-proof  when  thoroughly  dry,  so  may  be 
used  on  all  parts  of  the  engine  and  frame. 

It  is  also  adapted  for  use  on  bicycles,  baby  carriages,  porch 
furniture,  lawn  swings  and  other  work  which  may  be  exposed 
to  the  weather. 

One  quart  is  sufficient  to  give  the  body  of  the  average  auto 
one  coat.  A  half-pint  is  sufficient  for  touching  up  the  wheels  and 
fenders. 

Directions  for  use  are  printed  on  the  label  of  each  can. 


No.  700  Black 

702  Bright  Blue 


No.  706  Brewster  Green 
708  Ivory 


No.  713  Gray 
714  Brown 


Order  by 

}4-pt-  can,  25c  1  -qt.  can,  7 5c 

For  sample 

name  and 

No.  704  Carmine 

colors  see 

number 

V2-pt.  can,  30c  1-qt.  can,  95c 

Mailing  weights:  H  pt.,  2  lbs.;  1  qt.,  4  lbs 

page  1 9 

A  pale  transparent  finishing  varnish  of  the  highest 
quality  and  extreme  durability.  May  be  used  over  very 
light  colors  without  discoloring  them.  Dries  overnight 
with  a  deep  rich  gloss.  A  coat  of  this  varnish  applied 
to  your  automobile  at  the  beginning  of  each  season, 
preserves  the  original  finish  indefinitely. 

Mailing  weights:  Y  pt.,  1  lb.;  1  qt.,  3  lbs.;  1  gal.,  9 
lbs.  Shipping  weight,  5  gal.,  45  lbs. 


80c 


1-gal. 
can , 


No.  612 

$3 


S-gal. 
can , 


$2.90 


per 

gal. 


This  is  a  heavy-bodied  flat  drying  paint  used  to  fill 
up  the  cracks  and  mars  on  a  rough  surface  before 
applying  Auto  Enamel.  Enough  coats  should  be  applied 
to  get  an  even  surface  which  must  then  be  sandpapered 
perfectly  smooth  before  the  enamel  is  applied. 

Mailing  weights:  Yi  pt.,  2  lbs.;  qt.,  5Y  lbs. 


Yz-pt. 
can , 


No.  701 

17Vic 


Ordinary  paints  and  even  those  of  comparatively 
high  heat  resistance,  quickly  burn  off  the  exhaust  pipe 
of  automobile  engines.  We  have  therefore  developed 
this  special  aluminum  coating  on  a  porcelain  base.  The 
powder  and  liquid  are  mixed  just  prior  to  application 
and  applied  like  paint.  Very  durable  even  at  extremely 
high  temperatures.  Mailing  weight  Y  lb. 

No.  463  package.  1 5c 


It.IlllllIlllllllllUillllilllllillUlllllllllUilllllllllllHIlIII 

For  refinishing  and  water-proofing  leather  and  imita¬ 
tion  leather  tops,  seats  and  curtains  of  automobiles. 
For  upholstering,  suit-cases,  etc.  It  dries  very  quickly 
to  a  jet-black,  glossy  finish  which  will  not  crack  or  peel. 
It  is  not  intended  for  use  on  mohair. 

Mailing  weights:  Yi  pt.,  2  lbs.;  qt.,  3  lbs. 


No.  712 


I'2-Pt ■ 
bottle. 


30c  80c 


Getting  the  Best  Results  with  Varnish 


THE  purchase  of  varnish,  like  that  of  any  other  commodity 
should  be  done  with  a  view  to  the  purpose  for  which  it  is 
to  be  used.  Different  classes  of  work  require  different 
features  in  the  varnish  applied  on  them  in  order  to  secure  the 
best  results.  A  varnish  made  to  give  the  best  results  as  an  auto¬ 
mobile  finish,  would  not  necessarily  give  the  best  results  if  used 
on  a  table  top.  While  our  No.  617  Economy  Varnish  will  give 
extremely  satisfactory  results  as  a  general-purpose  varnish  in 
the  hands  of  the  amateur  user,  yet  we  strongly  recommend  the 
purchase  of  a  Larkin  Varnish  made  for  the  particular  work  which 
you  are  doing.  We  offer  a  sufficient  variety  of  varnishes  to  cover 
every  need  of  household  use. 

Varnish  that  has  been  stored  for  some  time  in  the  cold  will 
thicken  and  in  some  cases  separate  partially.  It  will  neither 
brush  out  well  nor  dry  as  rapidly  as  it  should.  Keep  varnish  in 
a  warm  room  and  do  not  attempt 
to  apply  it  at  a  temperature  be¬ 
low  60°. 

All  Larkin  Varnishes  are  the 
proper  consistency  for  application 
so  that  it  is  not  necessary  to  thin 
them  with  oil  or  turpentine.  If 
they  should  thicken  after  standing 
for  some  time  in  an  open  can,  add 
a  very  little  turpentine.  Varnish 
which  has  become  extremely  thick 
in  this  manner  will  not  give  good 
results  even  when  thinned.  Once 
opened,  keep  the  varnish  from 
becoming  thick  by  tying  a  double 
thickness  of  waxed  paper  tightly 
over  the  container. 

Preparation  of  the 
Surface 

The  secret  of  obtaining  smooth, 
first-class  work,  lies  mainly  in  the 
preparation  of  the  wood.  To  get  a 
perfectly  smooth  and  level  surface, 
it  is  necessary  to  smooth  off  the 
wood  with  No.  00  Sandpaper,  and 
dust  it  off  thoroughly.  It  is  impossible  to  get  some  soft  woods 
perfectly  smooth  with  sandpaper,  as  the  fiber  curls  up  in  a  sort 
of  fuzz  which  the  sandpaper  does  not  cut.  A  very  thin  coat 
of  shellac  applied  to  such  woods  will  stiffen  this  fuzz  and  make 
it  possible  to  cut  it  off  perfectly  smooth.  The  last  traces  of 
dust  must  be  removed  from  the  surface  or  small  holes  and 
specks  will  show  in  the  varnish.  Wherever  it  is  possible,  it  is 
a  good  rule  to  sprinkle  the  floor  with  water  around  the 
articles  being  varnished  to  keep  down  the  dust. 

Woodwork  which  has  been  previously  varnished  must  be 
thoroughly  cleaned  to  remove  all  grease  and  dirt  before  fresh 
varnish  is  applied.  Do  not  attempt  to  wash  too  big  a  surface 
at  one  time.  In  washing  doors  or  similar  surfaces,  place  the 
soapy  water  on  with  a  soft  brush,  starting  from  the  bottom  and 
working  up  to  the  top  in  order  to  avoid  trickling  marks.  Work 
the  surface  over  well  with  the  brush  and  rinse  off  with  plenty  of 
clean  water.  Dry  with  a  chamois  skin,  and  smooth  off  any  rough 
spots  with  sandpaper. 

If  the  old  finish  has  a  high  gloss,  the  whole  surface  should  be 
gone  over  lightly  with  fine  sandpaper.  If  the  surface  has  been 


waxed,  it  must  be  cleaned  very  carefully  with  gasoline  or  tur¬ 
pentine  to  remove  the  last  traces  of  wax;  otherwise  the  varnish 
will  not  only  crawl  but  will  also  fail  to  dry  properly. 

Fillers 

In  order  to  get  a  smooth  surface  when  varnishing  new  wood, 
it  is  necessary  to  fill  the  pores  of  open-grained  woods  such  as 
oak,  mahogany,  and  ash,  with  a  paste  filler.  When  the  wood  is 
to  be  finished  in  the  natural  color,  use  Larkin  Light  Paste  Filler 
No.  454.  When  the  wood  is  to  be  finished  in  a  dark  color,  use 
Dark  Paste  Filler  No.  455  (see  page  13). 

Thin  the  filler  to  a  heavy  brushing  consistency  with  turpentine, 
adding  a  little  at  a  time  and  stirring  vigorously  to  break  up  the 
lumps.  Apply  a  liberal  coat,  brushing  it  well  into  the  pores  of  the 
wood.  Allow  it  to  dry  a  few  minutes  until  the  turpentine 

evaporates  when  the  filler  will  turn 
somewhat  lighter  in  color  and  as¬ 
sume  a  flat  appearance.  Wipe 
off  the  surface  across  the  grain  so 
as  to  completely  fill  the  pores. 
Allow  it  to  dry  24  to  48  hours  and 
smooth  off  with  fine  sandpaper. 
Paste  Filler  need  not  be  used  on 
close-grained  woods. 

Methods  of  Finishing 
Various  Surfaces 

After  the  wood  has  been  filled 
several  methods  may  be  followed 
for  building  up  a  varnish  finish, 
depending  on  the  kind  of  surface 
and  the  amount  of  labor  and  ex¬ 
pense  that  is  worth  while  expend¬ 
ing  on  it. 

For  ordinary  interior  woodwork 
which  does  not  have  to  withstand 
severe  wear  and  which  it  is  desired 
to  finish  as  cheaply  as  possible, 
apply  one  coat  of  Larkin  Liquid 
Filler  No.  643  (see  page  13).  Be 
sure  to  stir  it  thoroughly  and  to 
apply  a  liberal  coat.  Allow  it  to  dry  for  24  hours,  go  over  it 
lightly  with  fine  sandpaper,  dust  off  thoroughly  and  apply  one 
coat  of  No.  600  Clear  Interior  Varnish.  This  gives  a  quick  and 
inexpensive  finish  which  is  satisfactory  for  such  surfaces  as  the 
woodwork  in  kitchens,  hallways,  etc.  It  will  have  a  good  gloss 
and  withstand  scrubbing  excellently.  As  liquid  filler  is  some¬ 
what  more  brittle  than  varnish,  it  should  not  be  used  as  an 
undercoat  on  floors  or  surfaces  exposed  to  the  weather. 

Another  method  for  finishing  interior  upright  woodwork  is 
to  apply  one  coat  of  shellac  or  spirit  varnish  followed  by  one  or 
two  coats  of  clear  varnish.  Shellac  does  not  sink  in  like  varnish 
and  prevents  the  following  coats  of  varnish  from  sinking  in. 
This  causes  the  finish  to  stand  out  with  a  high  gloss,  with  fewer 
coats  of  varnish  than  if  shellac  were  not  used.  It  must  be 
remembered,  however,  that  since  the  shellac  lies  entirely  on  the 
surface  and  is  brittle  in  comparison  with  varnish  that  such  a 
finish  will  not  have  extreme  durability.  Shellac  should  therefore 
not  be  used  on  floors,  exterior  work  or  other  surfaces  exposed  to 
severe  wear. 

Instead  of  varnishing  over  shellac,  you  may  finish  with 


22 


'“’m 


w 


Polishing  Wax. 
This  will  give  a 
smooth,  hard, 
semi  -  gloss  finish 
which  has  the  ad¬ 
vantage  of  being 
very  quickly  and 
easily  applied.  It 
does  not  bring  out 
defects  in  the  sur¬ 
face  as  much  as  a 
high-gloss  varnish 
finish  will.  If 
floors  are  coated 
with  shellac  it  is 
always  better  to 
finish  them  with 
wax  instead  of 
varnish. 

For  the  best  and  most  durable  results  with  varnish,  liquid 
filler  or  shellac  should  not  be  used  as  undercoats.  Build  up  the 
foundation  with  the  same  varnish  even  if  one  or  two  more 
coats  are  required  to  obtain  the  desired  gloss  and  finish.  Thin 
the  first  coat  with  a  quart  of  turpentine  to  every  gallon  and 
brush  it  well  into  the  wood.  Apply  two  or  three  additional 
coats  without  thinning.  All  Larkin  Varnishes  are  made  of  the 
proper  consistency  for  application.  Allow  each  coat  to  dry  hard 
before  the  next  is  applied,  the  time  required  for  drying  depend¬ 
ing  on  the  kind  of  varnish. 

Varnish  should  always  be  applied  freely  in  liberal  coats, 
brushing  out  only  enough  to  spread  to  a  uniform  thickness 
and  prevent  running.  It  should  not  be  brushed  out  thin  like 
paint.  Never  attempt  to  hurry  a  job  too  much  or  the  work 
will  not  be  satisfactory. 

If  the  air  is  too  moist  or  the  ventilation  of  the  room  is  poor, 
the  varnish  may  have  a  smoky  appearance  when  dry.  This 
may  be  corrected  by  going  over  it  with  a  rag  moistened  with 
a  mixture  of  crude  oil  and  water. 

If  the  varnish  is  exposed  to  direct  sunlight,  heat  or  air  currents 
a  film  will  form  too  quickly  over  the  surface  and  the  turpentine 
in  the  soft  varnish  underneath,  having  no  chance  to  escape,  will 
cause  blisters.  Blisters  may  also  be  due  to  moisture  coming 
through  from  a  surface  which  was  not  properly  dry  when  the 
varnish  was  applied.  Small  blisters  can  be  removed  with  sand¬ 
paper  when  the  varnish  is  dry.  If  it  is  badly  blistered,  it  may  be 
necessary  to  remove  the  varnish  and  to  do  the  job  over  entirely. 

If  a  coat  of  varnish  is  applied  over  another  coat  that  is  not 
thoroughly  dry,  or  if  a  quick,  hard-drying  varnish  is  applied 
over  an  elastic  one,  the  surface  will  crack.  The  only  remedy  is 
to  remove  the  varnish  and  refinish  the  work  entirely. 

Dull  spots  on  the  finish  may  be  traced  to  several  different 
causes.  It  may  be  due  to  careless  filling,  to  applying  the  finish¬ 
ing  coat  before  the  undercoat  was  thoroughly  dry,  or  to  brushing 
out  the  varnish  too  thin.  In  any  case,  an  additional  coat  will 
usually  remedy  the  trouble. 

Small  holes  in  the  varnish  surface  may  be  due  to  cold  air 
striking  the  varnish  while  it  was  drying  or  to  failure  to  fill  the 
pores  of  the  wood  or  to  dust  off  the  surface  as  it  was  filled.  It  is 
sometimes  possible  to  hide  this  condition  somewhat  by  the  appli¬ 
cation  of  further  coats  of  varnish,  but  if  the  condition  is  very  bad 
it  will  be  necessary  to  remove  the  varnish  and  start  over  again. 

Brush  marks,  streaks  and  laps  in  the  work  are  caused  either 
by  using  a  brush  which  is  too  stiff  or  too  small  for  the  work,  or 
by  attempting  to  brush  the  varnish  after  it  has  set. 


Rubbing  to  a  Semi-Gloss  Finish 

It  is  practically  impossible  to  obtain  a  varnish  finish  which 
is  absolutely  even  and  free  from  specks.  For  this  reason,  it  is 
often  desirable  to  cut  down  the  surface  by  rubbing  with  finely 
ground  pumice  and  either  water  or  oil.  If  a  varnish  is  to  be 
rubbed,  at  least  three  coats  should  be  applied  so  as  to  be  sure  to 
have  a  film  which  will  be  thick  enough  so  that  the  high  spots 
will  not  be  rubbed  through. 

When  rubbing  down  a  varnished  surface  over  which  a  finishing 
coat  of  varnish  is  to  be  applied,  or  when  rubbing  enamels,  water 
should  be  used.  When  rubbing  down  the  finish  coat  of  varnish, 
use  raw  linseed  oil. 

The  other  materials  necessary  are  a  small  quantity  of  very 
finely  powdered  pumice  stone,  a  thick  piece  of  felt  about  3  or 
4  inches  square,  and  a  few  soft  rags.  Dip  the  felt  into  the  oil 
or  water  and  then  lightly  into  a  shallow  dish  containing  the 
pumice  stone,  so  that  too  much  of  the  latter  will  not  be  picked 
up.  Now  apply  the  felt  to  the  surface,  rubbing  lightly  at  first 
and  increasing  the  pressure  gradually.  Rub  evenly  and  firmly 
in  the  direction  of  the  grain  of  the  wood,  using  a  uniform  pressure 
as  nearly  as  possible.  Use  plenty  of  oil  or  water  and  do  not  use 
too  much  pumice  or  rub  too  hard  or  the  work  will  be  scratched. 
Do  not  rub  too  long  in  one  spot  and  be  especially  careful  not  to 
rub  over  the  edges. 

When  rubbing  uneven  surfaces,  the  stump  of  an  old  paint 
brush  may  be  used  to  get  into  moldings  and  crevices  which 
cannot  be  reached  with  the  felt.  When  rubbing  panels  on  which 
it  is  impossible  to  rub  clear  over  the  end,  rub  across  the  ends 
first  and  then  rub  the  rest  of  the  panel  lengthwise. 

When  the  rubbing  is  finished ;  that  is,  when  all  inequalities  have 
been  leveled  off  and  all  traces  of  the  original  gloss  removed,  the 
pumice  must  be  cleaned  off  thoroughly.  If  water  has  been  used 
for  rubbing,  rinse  off  the  surface  with  plenty  of  clear  water  and 
dry  with  a  chamois.  If  oil  has  been  used,  wipe  off  the  surface 
with  a  rag.  Wipe  it  off  again  with  a  soft,  dry  cloth.  Before  the 
final  cleaning  up  of  the  surface,  look  it  over  carefully  to  be  sure 
there  are  no  spots  requiring  further  rubbing. 

Varnishing  Linoleum 

Linoleums  and  other  similar  floor  coverings  require  several 
coats  of  varnish  of  extreme  elasticity  brushed  out  thin  instead 
of  being  applied  rather  thick  as  is  done  in  varnishing  ordinary 
surfaces.  Allow  each  coat  to  dry  thoroughly  and  keep  the 
linoleum  out  of  use  as  long  as  possible. 

The  Application  of  Flat  Varnish 

The  application  of  flat-drying  varnish  while  not  differing 
materially  from  the  application  of  ordinary  varnish  requires 
somewhat  more  skill  and  dexterity.  It  tends  to  set  rather  rapidly 
and  if  brushed  too  long,  it  will  show  streaks  and  glossy  spots. 

Flat  varnish  by  itself  has  very  little  body  so  that  it  should 
be  applied  only  over  a  foundation  of  gloss  varnish  or  shellac. 
Flat  varnish  must  be  stirred  the  same  as  paint  as  it  contains  a 
small  proportion  of  fine,  solid  particles  which  settle  to  the  bot¬ 
tom  of  the  container.  In  applying  flat  varnish  to  level  surfaces 
such  as  a  door  panel,  go  over  the  edges  as  rapidly  as  possible  and 
then  varnish  the  flat  parts. 

Apply  full,  liberal  coats,  taking  care  not  to  miss  any  of  the 
work  and  to  apply  it  as  evenly  and  as  uniformly  as  possible 
without  having  to  brush  over  it  a  second  time.  It  requires  a 
little  practise  to  attain  the  necessary  quickness  in  applying  flat 
varnish  on  large,  level  surfaces. 


Covering  Capacity 

One  gallon  of  Larkin  Varnish  will  cover  300  sq.  ft.  with 
two  coats  when  properly  flowed  on  in  full,  even  coats. 


Shipping  or  Mailing  Weights 

The  shipping  or  mailing  weights  of  Larkin  Varnishes  are:  14  P^, 
1  lb.;  1  pt.,  2  lbs.;  1  qt.,  3  lbs.;  1  gal.,  10  lbs.;  5  gal.,  50  lbs. 


It  Stands  the  Wear 


LARKIN  Floor  Varnish  combines  elasticity,  toughness  and 
hardness  in  a  way  that  cannot  be  surpassed. 

When  it  is  considered  that  the  film  of  varnish  which  is 
applied  to  a  floor  is  about  the  thickness  of  a  sheet  of  paper,  we 
must  marvel  that  any  varnish  can  withstand  the  wear  to  which 
it  is  subjected.  It  is  constantly  walked  on,  heavy  furniture  is 
dragged  across  it,  and  it  is  scrubbed  at  frequent  intervals, 
often  with  strong  washing  compounds.  Rain  beats  on  it 
through  open  windows;  snow,  ice,  and  mud  are  tracked  across  it. 

It  certainly  would  be  false  economy  to  purchase  anything  but 
the  best  and  expect  it  to  withstand  such  wear  and  tear. 

All  of  the  skill  of  our  varnish  makers  has  gone  into  the  manu¬ 
facture  of  Larkin  Floor  Varnish.  The  best  materials  are  care¬ 
fully  selected  for  it.  Yet  by  manufacturing  in  such  large  quan¬ 
tities  and  selling  to  you  direct,  we  are  able  to  offer  this  varnish 
at  an  exceptionally  low  price. 


Larkin  Floor 
Varnish  is  a  clear 
amber  varnish 
which  brushes 
very  easily  and 
dries  hard  over¬ 
night.  It  may 
be  rubbed  to  a 
dull  or  semi-gloss 
finish  if  desired. 

Directions  for 
applying  are 
printed  on  the 
label  of  each  can. 

For  mailing  and  shipping 
weights  and  covering  capacity,  see  page  22 


Floor  Varnish  No.  602 

l-qt.  can,  55c  l-gal.  can,  $2  5-gal.  can,  $1.90  per  gal. 


Polishing  Wax 


Larkin  Polishing- Wax  produces  a  dur¬ 
able,  water-proof  polish  on  paint,  varnish, 
shellac,  or  other  non-porous  surfaces. 

It  is  perfectly  transparent  so  does  not 
change  the  color  of  the  original  finish  and 
it  may  be  polished  with  very  little  rubbing. 

It  dries  to  a  hard  film  which  sheds  water 
and  does  not  catch  dust  or  show  finger 
marks  even  in  the  hottest  weather.  It 
covers  small  surface  scratches  and  is  the  ideal  polish  for  remov¬ 
ing  the  cloudiness  from  mahogany  furniture. 

Mailing  weights;  Paste: 

Paste  No.  452 

l-lb.  can,  42 1  2  C 


The  results  obtained  with  either  Paste  or  Liquid  Wax  are 
identical,  the  only  choice  being  in  the  form  most  suitable  for 
the  articles  to  be  polished. 

We  recommend  the  use  of  paste  wax  on  large,  flat  surfaces 
such  as  floors  and  tables.  Place  a  spoonful  in  a  double  thickness 
of  cheese-cloth,  and  it  may  be  applied  without  scattering  by 
squeezing  through  the  meshes  of  the  cloth.  After  it  has  dried 
for  a  few  minutes,  bring  to  a  polish  with  a  dry  cloth. 

Liquid  wax  is  more  easily  applied  on  uneven  surfaces  such  as 
carved  furniture  and  leather  goods.  It  makes  an  excellent 
water-proof  dressing  for  shoes  and  harness. 

2  lbs.;  Liquid,  2  lbs. 


Liquid  No.  458 

l-pt.  can,  30c 


Clear  Interior  Varnish  No.  600 

For  general  use  on  interior  work,  this  varnish  cannot 
be  excelled  at  the  price  for  which  it  is  sold. 

It  is  pale  in  color,  works  freely  and  dries  overnight 
with  a  high  gloss  which  is  not  affected  by  hot  or  cold 
water  or  frequent  scrubbing. 

That  it  may  be  used  on  furniture, 
floors  or  any  other  indoor  surface 
with  exceedingly  satisfactory  results 
is  attested  by  the  repeated  orders 
which  we  receive  for  this  varnish 
from  our  thousands  of  customers. 
Directions  are  printed  on  label. 

For  mailing  and  shipping  weights 
and  covering  capacity,  see  page  22. 
l-pt.  __  l-qt. 

can,  ( C  can, 

' 'At  $1.70 

‘At  $1.60%. 


A 


EtJ 


O 


47c 


Pale  Linoleum  Varnish  No.  620 

A  pale  varnish  made  especially  for  the  protection  of  linoleum,  congo- 
leum,  and  similar  floor  coverings,  without  marring  the  beauty  of  light 
tints. 

It  has  a  thinner  body  than  regular  floor  varnishes  and  dries  tough 
and  hard,  but  with  such  extreme  elasticity  that  it  remains  as  pliable  as 
the  linoleum  itself.  It  dries  overnight  with  a  good  gloss,  and  is  water¬ 
proof  and  durable. 

Linoleum  generally  receives  hard  usage,  but  if  it 
is  varnished  at  regular  intervals  the  pattern  will  not 
be  worn  away  and  the  appearance  may  be  preserved 
indefinitely. 

The  cost  of  a  few  coats  of  varnish  is  trifling  com¬ 
pared  with  the  cost  of  renewal  of  the  floor  covering. 

Directions  are  printed  on  label. 

For  mailing  and  shipping  weights  and  covering 
capacity,  see  page  22. 

l-qt.  r“  r“  l-gal.  q.  r\ 

can,  DOC  can,  q)  & 

per 


$1.90%. 


\HIS  is  the  ideal 
varnish  for  surfaces 
exposed  to  the 
weather,  to  salt  or  fresh 
water,  to  steam,  acid 
fumes,  or  to  other  con¬ 
ditions  requiring  a  fin¬ 
ish  of  exceptional  elas¬ 
ticity  and  durability. 

It  will  withstand  the 
hot  sun  and  driving 
rain  of  summer  as  well 
as  the  cold  and  snow  in  winter. 

It  has  sufficient  elasticity  to  expand  and  contract 
with  the  surface  without  cracking.  It  is  pale  in  color, 
brushes  easily,  and  dries  with  a  rich,  deep  gloss  in 
24  hours. 


The  Right  Varnish  for  Boats, 
Outside  Doors,  and  All  Surfaces  Exposed 
to  Dampness  and  Weather 

T 


We  especially  recommend  its  use  on  outside  doors, 
bathroom  and  kitchen  woodwork,  porch  ceilings, 
boats,  farm  implements,  pumps,  washing  machines, 
and  window  screens. 

At  least  three  coats  should  be  applied  on  exterior 
work.  Do  not  use  shellac  or  liquid  filler  as  an  under¬ 
coat  for  spar  varnish. 

No.  610  Spar  Varnish  may  be  rubbed  to  a  semi¬ 
gloss  finish  with  pumice  and  water  if  desired. 

Mixed  with  House  Paint, 

Makes  a  Good  Under-Water  Paint 

When  it  is  desired  to  paint  surfaces  which  are 
constantly  under  water,  thin  one  gallon  of  Larkin 
Ready-Mixed  House  Paint  with  one-half  gallon  of 
spar  varnish  and  apply  several  thin  coats. 

For  mailing  and  shipping  weights  and  covering 
capacity,  see  page  22. 


Spar  Varnish  No.  610 


1'pt‘ 

can,  J OC 


I-qt-C7 

can,  O / C 


can!'  $2.50 


can,  $2.40  per  gal.  barrel,  $2.30  per  gal. 


Renovating  Varnish 
No.  400 

Many  people  think  the  application  of  regular  varnish  with  a 
brush  is  too  tedious  and  difficult  an  operation  to  undertake. 

Some  surfaces  do  not  require  the  comparatively  thick  film  of 
ordinary  varnish  but  merely  something  to  give  a  gloss  more 
permanent  than  that  supplied  by  furniture  polish.  Larkin 
Renovating  Varnish  supplies  this  need. 

It  is  easy  to  apply  with  a  cloth  just  like  furniture  polish. 
It  dries  in  a  few  hours  and  does  not  remain  sticky. 

It  will  not  crack,  blister  or  peel  and  is  not  affected  by  hot  or 
cold  water. 

It  may  be  used  to  brighten  old  paint  or 
varnish  on  furniture,  woodwork,  floors, 
linoleum,  bicycles,  automobiles,  and  many 
other  articles. 

It  is  also  used  as  a  lacquer  on  leather, 
brass,  and  nickel. 

A  clothes  line  dipped  in  it  and  allowed  to 
dry  will  stay  clean  and  last  longer  than  it 
would  otherwise. 

For  mailing  and  shipping  weights,  see 
page  22. 


\4-pt. 

can. 


15c 


40c 


Flat  Varnish  No.  1008 

Many  people  prefer  a  dull  or  semi-gloss  finish  to  the  high- 
gloss  finish  with  which  most  varnishes  dry. 

The  ordinary  way  to  secure  this  is  by  rubbing  a  gloss  varnish, 
when  dry  and  hard,  with  pumice  and  oil  or  water.  This  is  a 
tedious  and  expensive  process. 

Larkin  Flat  Varnish  No.  1008  is  intended  to  apply  over  a 
foundation  of  gloss  varnish  or  shellac  to  obtain  a  semi-gloss 
finish  closely  resembling  a  rubbed  finish. 

The  labor  of  application  is  no  more  than  the  application  of 
a  coat  of  gloss  varnish;  it  dries  in  a  few  hours  to  a  smooth, 
even  surface,  free  from  laps  and  streaks. 

Not  intended  for  floors  or  other  surfaces 
subject  to  severe  abrasion  or  exposed  to  the 
weather. 

For  mailing  and  shipping  weights  and 
covering  capacity,  see  page  22. 


Yz-pt- 
can , 


22C  can,  72c 

l-gal.  (fin  *Tf\  5-gal.  Qn  Cf\pcr 
can,  *p  4 .  f  can,  'P^e'JUgal. 


The  Varnish  for 
Every  Purpose 


INFREQUENT  users  of  varnish  who  do  not  find 
it  convenient  to  keep  on  hand  a  supply  of  different 
varnishes  for  the  variety  of  surfaces  which  need 
refinishing  around  the  home  and  farm,  will  find  our 
No.  617  Economy  Varnish  as  near  perfection  as  any 
general-purpose  varnish  can  be. 

Put  up  in  cans  which  may  be  conveniently  closed 
after  part  of  the  varnish  has  been  used,  so  that  the 
remainder  is  preserved  for  future  use. 

This  varnish  may  be  used  on  interior  woodwork, 
knowing  that  it  dries  with  a  beautiful,  high  gloss 
which  is  not  injured  by  cleansers  or  polishes. 

Its  toughness,  and  resistance  to  water  and  abra¬ 
sion,  make  it  a  splendid  varnish  for  table  tops, 
chairs  and  floors. 

When  used  on  bathroom  and  kitchen  wood¬ 
work,  porch  ceilings,  and  front  doors,  it  is  not  af¬ 


V 

\V 


f 


fected  by  "heat  or  cold, 
water  or  sunlight. 

It  can  be  used  on  all 
sorts  of  surfaces,  wood, 
brass,  iron,  leather,  reed, 
crockery,  etc. 

The  low  cost  per  gal¬ 
lon  coupled  with  its 
widely  varied  usefulness 
makes  it  an  exceedingly 
economical  varnish  for 
either  household  or  pro¬ 
fessional  use. 

Keep  a  can  on  hand  and  use  it  whenever  you  need 
varnish  for  any  purpose. 

For  mailing  and  shipping  weights  and  covering 
capacity,  see  page  22. 


yrf„:-22’Ac 


Economy  Varnish  No.  617 


'J„';37'Ac 


Uqt-  70c 

can,  *  vt 


ih  No.  617 

1-gal.'  d*  o  nn  5-gal.  /-/)  pe; 

can,  can,  *P  **  ga 

M _ _ •  L  filC 


Furniture  Varnish 

No.  1012 

This  is  a  clear,  amber-colored  varnish  which  satisfies 
the  most  exacting  requirements  for  all  interior  finishing 
except  floors. 

It  has  exceptionally  good  body,  brushes  easily,  flows 
out  readily,  and  dries  in  a  very  few  hours  with  a  high 
gloss. 

Its  exceptional  hardness  and  resistance  to  heat  and 
water  render  it  particularly  desirable  for  use  on  table 
tops,  chair  seats,  pianos,  talking  machines,  and  fine 
furniture. 

This  varnish  has  no  superior 
when  a  rubbed  and  polished  finish  is 
_  desired.  It  is  a  splendid  bargain  at 

the  low  price  at  which  we  offer  it. 

Y  ■  For  mailing  and  shipping  weights 

JrK  \  and  covering  capacity,  see  page  22. 


lA-P*. 

can , 


21c 


70c 


White  Maple  Varnish  No.  615 

The  appearance  of  bird’s-eye-maple  and  other  light-colored  woods  is 
often  spoiled  by  the  application  of  ordinary  varnish  which  imparts  an 
amber-yellow  color. 

Such  woods  require  the  application  of  varnish  of  [an  extreme  pale¬ 
ness  to  preserve  the  natural  beauty  of  the  wood. 

Many  pale-colored  varnishes  on  the  market  have  their  paleness  as 
their  one  redeeming  feature;  that  is,  they  lack  the  other  good  qualities 
necessary  for  a  first-class  finish. 

The  extreme  paleness  of  No.  615  White  Maple  Varnish  is  obtained 
by  the  use  of  the  best  grade  of  imported  varnish  gums  and  the  most 
carefully  refined  oils. 

It  has  a  good  body,  brushes  and  flows  out  readily,  and  dries  over¬ 
night  with  a  high  gloss.  Possesses  extremely 
good  elasticity  and  durability  and  will  withstand 
abrasion  and  scrubbing  as  well  as  the  best  grades 
of  amber-colored  varnish.  May  be  rubbed  with 
pumice  and  water  if  a  semi-gloss  finish  is  de¬ 
sired. 

For  mailing  and  shipping  (Weights  and  covering 
capacity,  see  page  22. 


'T„':$2.60s;"‘;$2.50 

per  gal. 


1-pt. 

can. 


40c 


•'.it  $2.75 


LV;  74c 
s;it  $2.65 


Larkin  Graining  Materials 


BY  the  use  of  Larkin  Graining 
Materials,  the  most  natural 
imitation  of  the  grain  of 
hard  woods  may  be  obtained. 
Old  marred  furniture,  floors,  and 
other  surfaces  may  be  refinished 
to  appear  like  the  most  expensive 
hard  woods. 

General  Directions 

Clean  the  surface,  thoroughly 
removing  wax,  grease,  or  oil  with 
gasoline  or  turpentine.  Smooth 


and  apply  one  coat  of  No.  693 
Ground  Color,  first  stirring  it  like  any  other  paint.  Allow  this 
to  dry  24  hours,  then  fill  all  holes  and  cracks  with  No.  451 
Crack  Filler.  When  this  is  dry,  apply  a  second  coat  of  Ground 
Color  which  should  be  sufficient  to  give  a  perfectly  opaque  sur¬ 
face.  After  this  is  dry,  smooth  off  with  fine  sandpaper. 

Apply  a  very  thin  coat  of  No.  695  Graining  Compound  with  a 
sponge,  as  a  brush  will  give  too  thick  a  coating.  To  avoid  soiling 
the  hands,  the  sponge  may  be  tied  to  the  end  of  a  stick.  Do  not 
cover  more  surface  at  once  than  may  be  conveniently  grained 
before  the  compound  sets.  If  this  happens  or  if  the  grain  pro¬ 
duced  is  not  satisfactory,  the  dry  compound  may  be  readily 
washed  off  with  water  and  a  fresh  start  made.  It  is  important 
to  get  the  desired  grain  before  varnish  is  applied,  as  after  the 
grain  is  varnished  it  can  only  be  altered  by  removing  the  varnish. 
The  color  of  the  compound  will  fade  out  slightly  as  it  dries,  but 
will  be  restored  by  the  varnish  and  will  remain  permanent. 

Start  at  one  edge  of  the  work  and  grain  in  the  same  general 
direction  as  the  natural  grain  of  the1  wood  follows.  Place  the 
corrugated  edge  of  the  graining  tool  against  the  work  with  the 


handle  in  a  vertical  position.  Draw  the  tool  towards  you  and 
rock  it  slowly  until  the  handle  is  nearly  in  a  horizontal  position. 
Do  not  rock  back,  but  lift  the  tool  from  the  surface,  wipe  off 
with  a  cloth  the  compound  which  clings  to  the  tool,  bring  the 
handle  back  to  a  vertical  position  and  start  about  two  inches 
back  from  where  the  first  grain  left  off.  When  the  end  of  the 
panel  is  reached,  draw  the  comb-edge  of  the  graining  tool 
lightly  through  the  entire  length  of  the  grain.  This  will  blend 
together  perfectly,  graining  of  any  length. 

On  uneven  surfaces  such  as  door  panels,  grain  in  the  regular 
way  on  the  prominent  parts  and  blend  in  the  edges  with  straight 
lines  made  by  the  comb  edge.  On  large  surfaces  such  as  floors, 
to  break  up  the  monotony  and  make  the  graining  appear  more 
natural,  it  is  best  to  grain  every  second  or  third  board  with  a 
straight-line  grain  made  by  the  comb-edge  of  the  tool. 

To  obtain  a  quarter-sawed-oak  effect,  first  make  a  straight 
grain  with  the  comb  edge.  Then  shift  the  handle  of  the  tool  to 
the  other  hole  and  use  the  knobs  on  the  other  side  of  the  tool  to 
produce  the  desired  light  spots  by  giving  the  tool  a  twisting  or 
semi-circular  motion  as  you  press  it  against  the  surface. 

It  is  best  to  practice  graining  on  some  old  boards  before 
attempting  any  elaborate  work.  In  this  way,  you  become 
familiar  with  the  tool  and  with  the  many  variations  in  grains 
which  may  be  produced  by  it.  It  is  surprising  how  little  time  is 
required  to  become  expert  in  its  use. 

When  the  entire  surface  has  been  grained  satisfactorily,  allow 
the  compound  to  dry,  which  requires  about  a  half  hour,  then 
apply  at  least  two  coats  of  varnish.  Use  either  Clear  Varnish  or 
Colored  Varnish,  depending  on  the  finish  desired.  When  colored 
varnish  is  used  over  graining  on  floors,  it  is  necessary  to 
finish  with  one  or  two  coats  of  No.  602  Floor  Varnish  to  protect 
the  colored  varnish  from  the  excessive  wear  to  which  floors  are 
subject.  On  exterior  work,  finish  with  one  or  two  coats  of  No. 
610  Spar  Varnish. 


Ground  Color 
No.  693 

'tat 20C  ’cat  61C  ’cat  $2.25 

An  opaque,  flat-drying,  yellow  paint  for 
use  when  it  is  desired  to  conceal  entirely 
the  old  finish  before  varnishing. 

Used  to  obtain  the  proper  color  and 
foundation  over  which  to  grain.  Dries 
hard  overnight. 

Two  coats  are  usually  sufficient  and  it 
requires  very  little  sanding  to  get  a  smooth 
surface.  One  gallon  will  cover  300  square 
feet  with  two  coats. 

Mailing  and  shipping  weights:  M  pt., 
2  lbs.;  1  qt.,  5  lbs.;  1  gal.,  16  lbs. 


Graining  Tool 

30c 

This  tool  is  made  according  to  our 
directions  by  one  of  the  largest 
manufacturers  of  such  articles  in  this 
country. 

It  combines  in  one  tool  features 
generally  obtained  only  by  the  use 
of  several  separate  tools. 

The  corrugated  graining  surface  is 
made  of  a  special  rubber  compound 
which  possesses  extreme  durability. 

Besides  the  corrugated  graining  surface,  the  tool  has  a  comb 
edge  for  making  straight  grains  and,  on  the  other  side,  knobs 
for  imitating  quarter-sawed-oak,  so  that  all  possible  combina¬ 
tions  and  variations  of  grains  may  be  obtained. 

Mailing  or  shipping  weight  4  oz. 


Graining  Compound 
No.  695 

tat  15C  cat  45C 

A  quick-drying,  semi-transparent,  yellow 
coating  for  use  with  other  Larkin  materials 
to  imitate  natural-wood  grains. 

It  requires  no  thinning  but  is  ready  for 
use  after  being  thoroughly  stirred  up. 
Easy  to  apply  and  dries  so  quickly  that 
it  may  be  varnished  over  within  an  hour. 
It  retains  a  firm  hold  on  the  surface  so  that 
the  varnish  applied  over  it  will  not  crack 
or  peel.  After  being  varnished,  the  color 
remains  absolutely  permanent. 

Mailing  or  shipping  weights:  K  pt., 
2  lbs.;  1  qt.,  5  lbs. 


Colored  Varnishes 

Light  Oak  No.  663  Dark  Oak  No.  673  Walnut  No.  683  Cherry  No.  686  Mahogany  No.  696 


H-pt. 


18c 


1-qt.  can 


,55c 


1-gal.  can f  $2 


5-gal.  can,  $1.90  per  gal. 


Colored  varnish  is  used  wherever  it  is  desired  to  change  the  color 
of  the  original  finish  and  still  retain  the  transparency  of  a  clear- 
varnish  finish.  It  combines  the  staining  and  varnishing  of  new  work 
in  one  operation. 

The  colors  used  in  these  varnishes  are  perfectly  transparent  and 
exceedingly  durable. 

Used  on  all  sorts  of  surfaces  such  as  wood,  metal,  crockery,  and 
reed.  It  gives  especially  beautiful  results  in  combination  with 
Larkin  graining  materials,  alid  is  used  in  this  way  for  the  imitation 
of  any  hardwood  finish. 


Anyone  can  apply  Larkin  Colored  Varnish  without  showing  laps, 
streaks,  or  brush  marks.  It  is  only  necessary  to  remember  in 
varnishing  large  surfaces,  where  it  is  impossible  to  carry  the  brush 
across  the  entire  width  at  one  stroke,  to  start  brushing  a  distance 
away  from  varnish  already  applied  and  brush  towards  it.  In 
this  way,  it  will  blend  in  without  heavy  spots  which  will  be  darker 
in  color  than  the  rest  of  the  work.  . 

Larkin  Colored  Varnishes  dry  overnight  with  a  high  gloss  which 
may  be  rubbed  with  pumice  to  a  dull  finish  if  desired.  For  mailing 
and  shipping  weights  and  covering  capacity,  see  page  22. 


For  Sample  Colors,  See  page 


Orange  Shellac 


Q  i 

No.  991 

No.  981 

TinTa  t  51 

J 

lfrfTrW 
1M  '.H'.  '] 

Put  up  in  wide-mouth  bottles 

(Shellac  Substitute) 

No.  D9I 

Prices  on  Inquiry 

Put  up  in  wide-mouth  bottles 

Ha  9 SI  |j 

uaua 

Owing  to  the  present  unsettled 
state  of  the  shellac  market,  and  in 
order  to  give  our  customers  the 
benefit  of  the  best  possible  prices, 
we  do  not  attempt  to  set  a  price  on 

'Apt.,  20c  i  qt.,  50c 

1  gal.,  $1  .80 

8 

shellac  for  several  months  ahead. 
See  order  blank  for  current  price,  or  we  will 
gladly  quote  price  on  request. 

Larkin  Orange  Shellac  is  pure  orange  shellac 
gum  cut  in  denatured  alcohol  to  the  proper  con¬ 
sistency  for  easy  brushing. 

Shellac  is  the  only  means  of  properly  sealing 
knots  and  sappy  spots  before  painting  new  wood 
so  that  the  resinous  sap  will  not  soak  through  and 
discolor  the  paint. 

It  is  applied  over  woodwork  which  has  been 
stained  before  applying  paint  or  enamel  so  as  to 
seal  up  the  stain  and  prevent  it  from  discoloring 
the  coats  of  paint  applied  over  it. 

It  may  also  be  used  as  an  undercoat  on  interior 
varnish  work  not  subject  to  hard  wear.  Its  use 
allows  the  work  to  be  finished  quickly  with  fewer 
coats  of  varnish  to  get  the  desired  body  and  gloss. 

Shellac  is  also  used  by  itself  wherever  a  very 
quick  gloss  finish  is  desired. 

Orange  Shellac  has  a  golden-yellow  color  so  it 
should  not  be  used  as  an  undercoat  for  light- 
colored  finishes. 

Shipping  or  mailing  weights:  'A  pt.,  2  lbs.;  1  qt., 
4  lbs.;  1  gal.,  12  lbs. 


Raw  Linseed  Oil 
No.  407 

$2.78 


1-gal. 

can. 


I-*:!-  $2.68 


per  gal. 


barrel,  $2-58 


per  gal. 


The  location  of  the  Larkin  Factory  at  Buffalo, 
the  center  of  the  Linseed  Oil  Industry  of  the 
United  States,  coupled  with  our  enormous  pur¬ 
chasing  power,  enables  us  to  offer  you  the  maxi¬ 
mum  value  in  the  oil  you  purchase  from  us. 

We  sell  raw  linseed  oil  of  only  the  highest 
purity. 

Boiled  oil  should  never  be  used  in  thinning 
Larkin  Paints.  Use  only  raw  linseed  oil,  and  use 
it  only  according  to  the  directions. 

Shipping  weights:  1  gal.,  10  lbs.;  5  gal.,  50  lbs.; 
50-gal.  bbl.,  470  lbs. 


Wall-Paper  Cleaner 

12-oz.  can ,  12lAc 


Removes  dirt  and  grime,  soot 
and  marks  of  fingers  from  wall¬ 
paper,  window-shades,  calci¬ 
mine  and  fresco.  Keeps  them 
looking  bright  and  new.  Clean 
and  easy  to  use.  Just  roll  a 
portion  of  the  Cleaner  into  a  ball  and  rub  over  the 
surface  to  be  cleaned.  Directions  on  can. 
Mailing  weight  1  lb. 

Cleaning  Paste 


26-oz.  can 


,  20c 


If  you  have  white  wood¬ 
work  in  your  home  you 
need  Larkin  Cleaning 
Paste. 

A  wonderful  cleaner. 
Especially  adapted  for  clean¬ 
ing  painted  woodwork.  Re¬ 
moves  dirt  and  grease  with¬ 
out  scratching  the  surface. 
Also  for  cleaning  painted  and 
varnished  surfaces  of  all  kinds;  gold,  silver  and 
all  metals,  cut-glass,  windows,  bathroom-fixtures, 
enameled  ware,  marble,  stone  and  cutlery. 

Cleans  without  soiling  the  hands  or  clothing. 
Housecleaners’  friend. 

Mailing  weight  3  lbs. 


White  Spirit  Varnish 


This  varnish  is  made  of  hard  fossil  gums  cut  in 
denatured  alcohol  to  the  proper  consistency  for 
easy  brushing. 

It  may  be  used  for  all  purposes  for  which  white 
shellac  is  ordinarily  used;  such  as,  an  undercoat 
for  varnish,  for  sealing  knots  and  stained  wood¬ 
work,  to  prevent  the  succeeding  coats  of  paint  or 
enamel  from  being  discolored,  or  it  may  be  used 
as  a  quick-drying,  gloss  finish  by  itself. 

We  do  not  advise  the  use  of  either  shellac  or 
spirit  varnish  on  floors,  exterior  woodwork  or 
other  surfaces  having  to  withstand  excessive  wear. 

Larkin  White  Spirit  Varnish  brushes  out  very 
easily,  but  at  the  same  time  dries  very  quickly. 
It  may  be  sandpapered  readily  two  or  three  hours 
after  it  is  applied. 

The  results  obtained  by  the  use  of  this  varnish 
compare  favorably  with  the  results  obtained  with 
pure  shellac.  The  present  price  of  shellac  being 
greater  than  its  value  as  a  varnish,  the  true 
economy  of  No.  981  Spirit  Varnish  is  worthy  of 
serious  consideration. 

Shipping  or  mailing  weights:  'A  pt.,  2  lbs.; 
1  qt.,  4  lbs.;  1  gal.,  12  lbs. 


Denatured  Alcohol 
No.  249 

$1  *10  per  gal. 


1-gal. 

can. 


$1.22 


5  -gal, 
can. 


May  be  used  to  thin  shellac,  remove  lacquer, 
and  burn  in  spirit  lamps. 

It  is  the  best  substance  to  use  for  prevention  of 
freezing  in  automobile  radiators,  as  it  neither 
corrodes  the  metal  parts  nor  softens  the  rubber 
connections.  One  part  of  alcohol  mixed  with  four 
parts  of  water  will  not  freeze  above  13  degrees. 
One  part  of  alcohol  and  two  parts  of  water  will 
not  freeze  above  8  degrees  below  zero.  Equal 
parts  of  water  and  alcohol  will  not  freeze  above 
34  degrees  below  zero. 

Denatured  alcohol  contains  some  wood  alcohol 
and  is  therefore  poisonous  for  internal  or  external 
use. 

Shipping  weights:  1  gal.,  9  lbs.;  5  gal.,  45  lbs. 

Mechanics’  Paste  Soap 

I'A-lb.  can,  15c 

Quickly  removes  grease, 
paint,  printer’s  ink,  and  all 
kinds  of  dirt.  A  most  satis¬ 
factory  and  economical  hand- 
cleaner  that  contains  abso¬ 
lutely  nothing  injurious. 

A  great  convenience  to  mechanics,  painters, 
printers,  auto-repairers,  farmers,  or  anyone  whose 
work  causes  their  hands  to  be  soiled  by  substances 
hard  to  remove  with  ordinary  soap. 

Mailing  weight  2  lbs. 

Furniture  Polish 

%-pt.  bottle,  1 2  /  2 C 

Cleans,  polishes  and  preserves  the 
surfaces  of  furniture  and  woodwork. 

Imparts  a  fine  finish  and  restores  fur¬ 
niture  to  its  original  polish.  Positively 
will  not  harm  the  furniture.  Excellent 
for  use  on  polished  floors  to  preserve 
them  and  give  them  a  high  gloss. 

Full  directions  on  bottle. 

Mailing  weight  2  lbs. 


Pure  Turpentine 
No.  410 

Price  on  Inquiry 

Owing  to  the  unsettled  state  of  the  turpentine 
market  and  in  order  to  give  our  customers  the 
benefit  of  the  best  possible  prices,  we  do  not 
attempt  to  set  a  fixed  price  for  several  months 
ahead.  See  order  blank  for  current  price,  or  we 
will  gladly  quote  price  on  request.  Our  pur¬ 
chasing  in  large  quantities  enables  us  to  give  you 
the  maximum  value  for  your  money  when  you 
purchase  from  us. 

We  sell  only  turpentine  which  is  absolutely 
pure  and  of  the  highest  quality.  It  has  no  superior 
as  a  solvent  for  thinning  paints,  especially  for  the 
priming  coat  on  resinous  woods.  Where  the  very 
best  results  are  desired,  pure  turpentine  should  be 
used  in  preference  to  substitute. 

Shipping  weights:  1  gal.,  9  lbs.;  5  gal.,  45  lbs. 

Substitute  Turpentine 
No.  415 

cagn!-68c  56c  per  gal. 

Larkin  Substitute  Turpentine  is  a  water-white 
petroleum  distillate,  free  from  adulteration  with 
coal-tar  products,  and  entirely  free  from  objec¬ 
tionable  odor.  It  evaporates  completely  and  in 
the  same  time  as  pure  turpentine. 

It  may  be  used  as  a  substitute  for  pure  turpen¬ 
tine  in  thinning  paint  and  varnish,  cleaning 
brushes,  etc.  It  is  true  economy  to  use  this  prod¬ 
uct  for  the  saving  in  price  over  pure  turpentine 
is  considerable,  while,  at  the  same  time,  the 
quality  of  results  obtained  is  not  sacrificed. 

Shipping  weights:  1  gal.,  9  lbs.;  5  gal.,  45  lbs. 

Japan  Drier  No.  952 

1-gal.  can,  $1.55 

A  strictly  high-grade  product  made  of  hard 
varnish  gums  and  linseed  oil. 

On  account  of  its  great  strength,  one  part  of 
drier  to  thirty  parts  of  paint  is  ample  under  ordi¬ 
nary  conditions.  Remember  that  if  drying  con¬ 
ditions  are  so  poor  that  an  excessive  amount  of 
Japan  must  be  used  to  make  a  paint  dry  properly, 
the  life  of  the  paint  will  be  correspondingly 
shortened. 

Larkin  Ready-Mixed  House  Paints  do  not 
require  the  addition  of  any  drier. 


Oilit 

17  Ac 


5-oz.  can, 

Cleans,  lubricates,  polishes 
and  preserves.  Prevents  rust. 

For  lubricating  sewing-ma¬ 
chines,  phonographs,  bicycles, 
lawn-mowers  and  all  kinds  of 
machinery.  For  cleaning  and  ■ 
polishing  furniture  and  wood¬ 
work.  For  protecting  guns,  tools  and  all  metal 
surfaces  from  rust. 

A  few  drops  occasionally  applied  to  razor  strop 
will  keep  it  soft  and  pliable.  Put  up  in  convenient 
5-oz.  can  with  squirt  spout.  Will  not  gum. 

Mailing  weight  'A  lb. _ _ 

Cedar-Oil  Polish 

12-oz.  can,  25c 

For  dusting,  cleaning,  oil¬ 
ing  and  polishing  floors, 
furniture  and  woodwork. 

A  scientific  blend  of  pure 
Cedar  Oil  with  other  impor¬ 
tant  polishing  agents.  An  ex¬ 
cellent  polish  for  every  va¬ 
riety  of  varnished,  unvarnish¬ 
ed,  waxed,  enameled,  lacquer¬ 
ed  and  painted  surface. 

Unexcelled  for  use  on  hard¬ 
wood  floors,  doors,  window- 
casings,  moldings,  wainscot¬ 
ing,  picture-frames,  etc.  Ex¬ 
cellent  also  for  use  on  automobiles  and  carriages. 

Mailing  weight  2  lbs. 


28 


■ 


TO  secure  satisfactory  results  with 
paint  or  varnish,  it  is  necessary  to 
have  the  proper  tools  for  its  appli¬ 
cation.  The  brush  should  be  of  the  same 
high  quality  as  the  paint  or  varnish,  and 
should  be  the  proper  size  and  kind  for 
the  work  to  be  done.  It  is  false  economy 
to  buy  cheap  brushes  as  they  shed 
bristles  and  wear  out  quickly. 

Larkin  brushes  are  made  of  the  best 


Directions  for  Use  and  Care  of  Brushes 


A  new  brush  should  always  be  shaken  out 
thoroughly  to  remove  as  much  as  possible  of  the 
loose  dust  and  preservative  which  cling  to  the 
bristles. 

Rinse  it  out  several  times  in  small  portions  of 
turpentine,  shaking  it  out  as  dry  as  possible 
every  time.  This  will  remove  the  major  portion 
of  the  dust,  etc.  from  the  brush  and  put  it  in  a 
satisfactory  condition  for  ordinary  work. 

It  is  impossible  to  remove  the  last  trace  of 
dust  from  the  butt  end  of  the  brush  so  that  for 
the  very  finest  varnish  work,  such  as  the  final 
coat  of  automobiles  or  fine  furniture,  a  new 
brush  should  not  be  used.  Use  for  this  purpose 
a  brush  which  has  been  broken  in  by  use  in  var¬ 
nish  for  some  time. 

When  applying  either  paint  or  varnish,  keep 
the  edge  of  the  can  clean  by  wiping  it  off  care¬ 
fully  with  a  cloth  and  a  little  turpentine.  Then, 


Soft-Hair 
Bronzing-  Brush 
No.  1110 
14c 


in 


wide. 

1 1  Especially  adapted  for  the 

I]  1  application  of  gold  and  aluminum 
IjnSt  bronze.  May  also  be  used  for  the 
uliuft  application  of  varnish  and  enamel 
on  very  small  surfaces. 

Mailing  weight  1  oz. 


Flat  Paint-Brush 
No.  1144 
74c 

3  M  in.  wide. 

This  is  a  sub¬ 
stantial  and  econom¬ 
ical  brush  for  the  ap¬ 
plication  of  all  kinds 
of  paint  on  floors, 
■  walls,  houses,  and 
other  large  sur¬ 
faces.  It  is  properly 
shaped,  well  finished, 
carefully  balanced 
and  will  be  found  ex¬ 
tremely  useful  by 
either  the  amateur  or 
the  professional 
I  painter. 

Mlg.  wt.  7  oz. 


when  the  brush  is  wiped  on  the  edge  of  the  can 
it  will  not  pick  up  small  particles  of  partially 
dried  paint.  Do  not  wipe  a  brush  on  a  sharp 
edge  as  this  curls  the  bristles. 

If  the  brush  is  not  to  be  used  for  more  than  a 
few  minutes,  do  not  lay  it  on  the  edge  of  the  can 
where  it  has  a  chance  to  dry  out,  but  keep  it  in 
the  liquid  so  that  the  bristles  are  completely 
covered.  If  paint  or  varnish  dries  on  the  bristles, 
it  is  practically  impossible  to  clean  the  brush 
so  that  it  will  not  continually  shed  small  particles 
of  partially  dried  paint. 

After  using  a  brush  in  paint,  wipe  it  out  well 
on  the  edge  of  the  can  and  then  rinse  out  the  rest 
of  the  paint  with  turpentine.  Hang  the  brush 
in  a  can  containing  enough  raw  linseed  oil  to 
completely  cover  the  bristles  but  not  to  come 
above  the  top  of  the  ferrule.  The  illustration 
at  the  top  of  this  page  shows  how  this  may  be 
done.  Be  sure  that  the  ends  of  the  bristles  do 
not  rest  on  the  bottom  of  the  can,  or  they  will 
curl  and  the  shape  of  the  brush  will  be  spoiled. 
Cover  the  can  either  with  a  lid  or  by  tying  some 
heavy  paper  tightly  over  the  top.  When  paint 
brushes  are  used  at  frequent  intervals,  it  saves 
time  in  cleaning  them  if  brushes  used  for  different 
colors  are  kept  in  separate  containers.  It  is  neces- 

Wire  Brush  No.  1160 


31c 


For  removing  old  paint, 
rust,  and  dirt  before  painting. 

Especially  valuable  on 
even  surfaces  which  cannot 
be  readily  cleaned  with  sandpaper.  The  narrow  form  of  the  brush  and 
long  handle  adapt  it  for  use  on  surfaces  which  are  hard  to  reach. 

Every  automobile  owner  should  have  one  for  cleaning  off  the  hard 
dirt  which  sticks  on  the  frame  and  running  gear  of  the  machine. 

Iron  pipes,  fences,  roofs,  etc.  should  always  be  well  cleaned  with  a 
wire  brush  before  they  are  painted. 

Total  length  9%  inches.  Mailing  weight  %  lb. 

Flat  Varnish-  or  Enamel-Brushes 


No.  1130 

1  in.  wide. 


No.  1134 

2  in.  wide. 


No.  1138 

3  in.  wide. 


21c 


37  c 


62c 


This  is  the  type  of  brush  most  suitable  for  the  general 
application  of  varnishes,  shellac,  and  enamels. 

For  very  small  surfaces,  use  No.  1130;  for  ordinary  work, 
No.  1134;  and  for  very  large  surfaces  such  as  floors,  use 
No.  1138.  We  do  not  recommend  these  brushes  for  the 
application  of  paint  except  on  small  surfaces. 

Mailing  weights:  No.  1130,  2  oz.;  No.  1134,  4  oz.;  No. 
1138,  6  oz. 


Painter’s  Duster 
No.  1170 
36c 

Diameter,  2}/£  in. 

At  the  price  at 
which  it  is  offered, 
this  Duster  cannot  be 
excelled.  It  is  not 
intended  for  the  ap¬ 
plication  of  paint,  but 
is  to  be  used  for  the 
removal  of  loose  dust 
and  dirt  from  all  sur¬ 
faces  before  painting 
or  varnishing. 

A  smooth,  varnish 
finish  cannot  be  ob¬ 
tained  unless  the  sur¬ 
face  is  properly  dust¬ 
ed  off. 

Mlg.  wt.  6  oz. 


quality  of  black  bristles  set  in  vulcan¬ 
ized  rubber  so  that  they  may  be  used  in 
any  type  of  liquid  containing  oil,  turpen¬ 
tine,  water,  alcohol,  etc.,  without  loosen¬ 
ing  the  bristles. 

Each  brush  is  contained  in  an  individ¬ 
ual  envelope  which  keeps  it  clean  until 
ready  for  use. 

Given  proper  care,  any  one  of  our 
brushes  should  last  for  years. 


sary,  at  any  rate,  to  have  a  separate  container 
for  brushes  used  in  white  paint,  which  otherwise 
are  apt  to  show  streaks  of  colors,  in  spite  of 
careful  cleaning. 

Brushes  which  have  been  used  in  varnish  or 
enamel  should  be  rinsed  out  with  turpentine  and 
kept  suspended  in  varnish.  Be  sure  that  the 
bristles  do  not  touch  the  bottom  of  the  con¬ 
tainer  and  that  the  liquid  completely  covers  the 
top  of  the  bristles.  Brushes  used  for  enamel  or 
colored  varnish  should  not  be  kept  in  the  same 
container  as  those  used  for  clear  varnish. 

Brushes  used  in  shellac  or  spirit  varnish  should 
be  rinsed  out  very  thoroughly  with  denatured 
alcohol,  shaken  out  as  dry  as  possible  and  laid 
out  on  a  flat  board  so  that  the  bristles  will  not 
curl.  When  it  is  desired  to  use  the  brush  again, 
it  should  be  rinsed  out  with  a  little  denatured 
alcohol  to  soften  the  bristles  and  wash  off  any 
dust. 

If  the  surface  to  be  varnished  is  cleaned  well 
and  dusted  off  thoroughly  before  starting  to  paint, 
the  dust  will  not  have  a  chance  to  work  into  a 
good  brush  and  spoil  the  appearance  not  only 
of  that  work,  but  of  future  work  on  which  the 
brush  is  used. 


Sash  Brush 
No.  1120 
13c 

%  in.  wide. 

Intended  for  the  application  of 
paints  and  varnishes  on  window 
sash,  moldings,  and  other  narrow 
surfaces. 

Mailing  weight  2  oz. 


29 


THE  1920  Larkin  Wall-Paper  Book  offers 
you  a  wonderful  opportunity  to  save 
money  on  your  Wall-Paper. 

It  contains  a  delightful  variety  of  appro¬ 
priate,  up-to-date  papers  for  every  room  in 
the  home;  Parlor,  Living-room,  Library, 
Dining-room,  Bedrooms,  Halls,  Kitchen, 
and  Varnish-tile  papers  for  the  bathroom. 

There  are  86  actual  large-size  samples  of 
paper.  There  are  colored  illustrations  show¬ 
ing  the  Side-Walls  and  Borders  in  combina¬ 
tion.  You  can  judge  the  quality  by  the 
samples,  and  from  the  colored  illustrations, 
get  an  idea  of  how  they  will  look  on  the  wall. 

The  price  is  printed  on  the  back  of  each 
sample.  These  prices  are  for  double  rolls  and 


86  Actual  Samples  of  Up-to-date 
Papers  at  Money-Saving  Prices. 


include  Larkin  Premiums  but  you  can  buy 
the  paper  without  Premiums  at  price. 
Thus,  paper  listed  at  28c  can  be  bought  with¬ 
out  Premiums  at  14c  per  double  roll  (equal  to 
7c  per  single  roll). 

Larkin  Wall-Papers  are  remarkable  value. 
They  range  from  practical  papers  for  kitch¬ 
ens,  back  halls,  etc.,  to  beautiful  designs  of 
artistic  elegance  for  parlors,  reception  halls, 
dining-rooms,  etc.  Many  of  the  Borders 
come  all  ready  cut  out. 

The  Book  tells  you  how  to  choose  papers 
and  how  to  figure  the  quantity  needed. 
Directions  for  hanging  paper,  making  paste, 
and  sizing  are  packed  with  each  shipment  of 
paper. 


Larco  Asphalt  Composition  Roofing 

For  Repairs  and  New  Roofs  on  all 
Farm  Buildings 


908F2  2-PIy.  One  roll  $2.75  908F3  3-Ply.  One  roll  $3.25 

OVER  85  per  cent  of  all  the  repairs  on  the  roofs  of  farm 
buildings  in  the  United  States  are  made  with  this  type 
of  sheet  roofing.  It  is  economical,  durable,  easy  to  lay 
and  will  last  for  many  years  without  attention  or  expense. 


Larco  Asphalt  Composition  Roof¬ 
ing  has  a  base  of  the  best-quality 
wool  felt,  soaked  in  hot  Asphalt 
until  every  fiber  of  the  wool  is  sat¬ 
urated.  It  is  very  flexible  and  easy 
to  handle.  It  may  be  laid  in  warm  or 
cold  weather,  and  can  be  put  down 
over  a  worn-out  shingle  roof  without 
removing  the  shingles.  For  both 
repairs  and  new  roofs  on  houses, 
barns,  garages,  sheds,  pig-pens, 
silos,  chicken  coops,  and  shops,  it  is 
the  most  economical  roof  you  can 


buy.  Sun,  cold,  wind,  rain  and 
storms  have  no  visible  effect  upon 
it.  Practically  fireproof,  reducing 
insurance  rate  in  many  states. 

Each  Roll  of  Larco  Asphalt 
Composition  Roofing  is  36  inches 
wide  and  36  feet  long.  Contains 
108  sq.  ft.  of  roofing,  which  will 
cover  100  sq.  ft.  of  roof.  8  sq.  ft.  is 
allowed  for  laps.  Shipping  weight: 
2-ply,  about  45  lbs.  per  roll;  3-ply, 
about  55  lbs.  per  roll. 


Cement  and  Nails  Included 

With  every  Roll  of  Larco  Asphalt  Composition 
Roofing  is  furnished  sufficient  Cement  and  Nails  for 
laying,  together  with  simple  directions  which  anyone 
can  follow. 


Bison  Slate-Surfaced  Roofing 

Makes  the  Best  Roof 
Money  Can  Buy 


912F4  Green  Slate 


912F5  Red  Slate 


One  roll  $3.25 


Cement  and  Nails  Included 

In  the  center  of  each  Roll  of  Bison  Slate-Surfaced 
Roofing  you  will  find  a  can  of  Cement  for  lapping 
seams,  together  with  enough  nails  for  laying.  Simple 
directions  that  can  be  easily  followed  by  anyone  are 
included  with  each  Roll. 

Guarantee 

Bison  Slate- Surfaced  Roofing  is  guaran¬ 
teed  by  the  manufacturer  and  by  Larkin 
Co.  to  give  absolute  satisfaction  in  every 
Way.  For  durability,  as  well  as  for  giving 
a  fine  appearance  to  your  buildings,  it  can¬ 
not  be  excelled. 


MANUFACTURED  especially  for  Larkin  Co.  by  one  of 
the  largest  makers  of  this  type  of  roofing,  Bison  Slate- 
Surfaced  Roofing  contains  only  the  very  best  mate¬ 
rials.  When  laid  on  your  roofs  it  is  practically  indestruc¬ 
tible — you  will  have  no  more  leaks,  no  repairs,  no  expense. 


The  base  of  Bison  Slate-Surfaced 
Roofing  is  a  sheet  of  the  highest 
quality  of  thick  felt.  This  felt  is 
soaked,  not  coated,  with  hot  asphalt 
(not  tar)  until  the  asphalt  penetrates 
every  fiber  of  the  felt.  One  side  is 
then  covered  with  selected  red  or 
green  crushed  slate,  which  is  ground 
into  the  hot  asphalt  under  heavy 
pressure.  The  result  is  a  roofing 
which  is  sun,  wind,  rain,  frost  and 


fireproof;  which  will  resist  the  ele¬ 
ments  for  a  generation  or  more. 

Bison  Slate- Surfaced  Roofing 
may  be  had  in  either  Red  or  Green 
Slate  surface,  as  desired.  Furnished 
in  Rolls  32  inches  wide  and  40J4 
feet  long.  Each  Roll  contains  108 
sq.  ft.,  which  will  cover  100  sq.  ft. 
of  surface,  8  sq.  ft.  being  allowed  for 
2-inch  laps.  Shipping  weight,  about 
80  lbs.  per  Roll. 


Bison  Slate-Surfaced  Shingles 

Will  Last  a  Lifetime 

1985F4  Green  Slate  1985F5  Red  Slate 

424  Shingles  (100  sq.  ft.)  $9 

SCORCHING  sun  or  zero  cold,  wind,  rain,  hail  or  snow  have  absolutely 
no  visible  effect  on  a  roof  made  of  Bison  Slate-Surfaced  Shingles.  We 
cannot  say  how  long  they  will  last,  because  no  roof  of  these  Shingles  has 
ever  worn  out  or  required  repairs,  except  through  accident.  They  are  good 
for  a  lifetime  of  perfect  freedom  from  roofing  troubles. 


Bison  Slate  -  Surfaced 
Shingles  are  made  of 
the  same  high-quality 
materials  and  in  the 
same  manner  as  Bison 
Slate-Surfaced  Roofing.  The  thick,  tough  felt  base  is  thorough¬ 
ly  saturated  with  hot  asphalt  (not  tar),  and  a  protecting  surface 
of  either  Red  or  Green  Slate  is  ground  into  it. 

Besides  being  the  most  durable,  Bison  Slate-Surfaced  Shingles 
make  the  handsomest  and  most  attractive  roof  you  can  get. 
The  soft,  mellow  tones  of  the  Slate  harmonize  with  any  scheme 


of  painting.  The  colors  of  the  slate  never  fade,  never  require 
painting  or  any  attention  whatever. 

Each  Bison  Slate-Surfaced  Shingle  is  8  inches  wide  and  12% 
inches  long.  Laid  in  exactly  the  same  manner  as  ordinary  wood 
shingles,  4  inches  to  the  weather.  A  warm  roof  in  winter  and  a 
cool  one  in  summer. 

424  Shingles  are  required  to  cover  100  sq.  ft.  of  roof,  known  as 
a  square.  They  are  laid  in  the  same  way  as  wood  shingles 
with  ordinary  shingle  nails. 

Shipped  in  cartons  of  106  Shingles — 4  cartons  to  the  square. 
Shipping  weight,  about  220  pounds  per  square. 


Labor  and  Nail  Costs 
Reduced  ^40%  by  Bison 
Slate -Surfaced  Strip 
Shingles 


2629F4  Green  Slate 


2629F5  Red  Slate 


112  Strips  (100  sq.  ft.)  $8.50 


STRIP  Shingles  are  the  ideal  roofing  from  every  standpoint — artistic  beauty,  long  life,  low  cost,  ease  of 
application.  Being  self-spacing  they  are  a  great  improvement  over  any  other  medium-priced  roofing. 
When  properly  laid  they  are  water-proof,  wind-proof,  and  dust-proof.  There  is  no  spacing  to  cause  trouble. 


The  big  saving  in  labor  and  nails  is  the  most  important 
advantage  of  this  type  of  roofing.  You  pick  up  and  lay  four 
Shingles  at  one  time  instead  of  one.  Five  nails  are  used  instead 
of  eight.  You  cannot  lay  them  wrong  and  it  is  almost  an  impos¬ 
sibility  for  the  Shingles  to  work  loose  for  each  Shingle  is  in  real¬ 
ity  held  by  five  nails.  You  thus  have  a  stronger  roofing  and  a 
better  roof  at  a  lower  cost. 

Bison  Slate-Surfaced  Strip  Shingles  are  made  of  the  same 
.material  as  Bison  Slate-Surfaced  Roofing,  which  means  that  all 


that  has  been  said  of  its  quality  and  durability  is  equally  true 
of  Strip  Shingles.  They  may  be  had  in  either  Red  or  Green 
Slate  surface,  as  desired,  either  of  which  makes  a  most 
attractive-looking  roof. 

Bison  Slate-Surfaced  Strip  Shingles  are  32  in.  long  and  10  in. 
wide,  4  Shingles  to  the  strip.  The  slots  or  spacings  are  %  in. 
wide  and  4  in.  deep.  The  112  Strips  comprising  this  offer  will 
cover  100  square  feet. 

Shipping  weight,  about  180  lbs. 


32 


Woodworkers’  Vise 
1857F  $2.75 

A  very  handy  Vise.  Weighs  but 
4  pounds  and  holds  material  up  to 
3  in.  in  thickness  securely  in  many 
positions.  Fastens  to  bench, 
table  or  saw-horse  up  to  2  M 
in.  thick.  Body  made  of  a 
special  combination  of  steel 
and  iron. 

Mailing  weight  5  lbs. 


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Handy  Worker  Vise 


3092F 


$17  I 


JI 


ml 


Home 
Grinder 
3096F  $3.25 

For  sharpening 
table  and  kitchen 
knives,  shears,  etc. 
Black  japanned  steel 
case.  4-in.  carbo¬ 
rundum  grind-stone. 
Adjustable  knife-rest. 
Clamps  to  table  or 
bench.  Mlg.  wt.  9  lbs. 


Hacksaw- 
Frame  Set 

J3094F 
$1.50 

Adjustable  steel  frame  with  polished 
nickel  finish  and  black  japanned  handle; 
12-in.  wood-saw  blade;  12-in.  meat-saw 


Saw 
Set 
2393F 
$2.75 

Set  of  high- 
grade  saws 
consisting  of 
18  -  in.  Rip- 
Saw  blade, 

18-in.  Cross- 
c  u  t  •  S  a  w 
blade,  14-in. 
compass  saw 
blade  and  ad- 
j  u  s  t  a  b  1  e 

handle  fitting  all  blades.  Blades  taper-ground  and  hand-filed. 

Mailing  weight  3  lbs. 


“Yan- 
Kee” 

Vise 
3091F 


$7.50 


Extremely  useful  Vise  with  swivel  base. 
Body  and  sliding  jaw  of  cast  iron  with 
hardened  steel  faces.  Hardened  steel 
block  holds  irregular  shaped  work.  Jaw 
opens  Ys  in.  Extreme  height,  5%  in. 
Length,  8%  in.  Mlg.  wt.  16  lbs. 


E  This  combination  of  principal  machine  shop  tools  reduces  repair  | 
E  bills.  Will  stand  hard  usage.  = 

E  Consists  of  three-speed  drill  press,  grinding  outfit,  powerful  1 
S  steel-faced  vise  with  jaws  opening  4 A  in.,  pipe  vise  (takes  up  to  E 
=  1  Yi  in.  pipe),  heavy  anvil,  metal-cutter  and  sturdy  three-speed  f 
_  machine  with  clamp  spindle  for  operating  emery  wheel.  Height,  | 
=  11 H  in.  Length  over  all  30  in.  Shipping  weight  87  lbs. 
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“S” 
Wrench 
4406F 


90c 


Malleable  iron  handle,  japanned  finish. 
Drop-forged,  case-hardened  jaw.  Length, 
8  in.  Jaw  opens  1  in.  Mlg.  wt.  1  lb. 


Angle  Wrench 
2267F  $1 

Made  of  drop-forged  steel  specially 
heat  treated.  Length,  8  in.  Takes  nut 
up  to  ii-in.  Mailing  weight  3d>  lb. 


Screwdrivers 

Strong  Screwdrivers  with  black-finished 
shanks  of  well-tempered  crucible  steel. 
Fluted,  mahogany  -  finished  hardwood 
handles. 


blade;  8  in.  hacksaw  blade. 

Mailing  weight  2  lbs. 

Disston  Saws  $3 

2319F  Rip  Saw  2320F  Crosscut  Saw 

Auger  Bit  Set 

m  mi 

\  an  jB 

■  ,s— 

Both  Saws  made  of  extra  high  quality  steel,  well  polished 
with  handles  of  tough  apple  wood.  Crosscut  Saw  has  9  teeth 
to  the  inch  and  is  24  in.  long.  Rip  Saw  has  6  teeth  to  the  inch 
and  is  26  in.  long.  Mailing  weight  3  lbs. 

in  |j  ||j 

Hollow-Handle  Tool  Set 

3089F  $1  g~~ 

length  7  A  in.,  is  made 

§  1* 

^  Ratchet  Brace 

Mlg.  wt.  2  lbs.  n  — —  M||| 

A  1854F  $2.50 

High-grade  Bit-Brace  with  hard¬ 
ly  wood  head  and  handle.  Metal  parts 
nickel  plated.  Has  10-in. 
steel  sweep. 

Alligator  jaws  hold  any 
Wl  size  bit.  Length,  13  A  in- 
g  %  Mailing  weight  3  lbs. 

Five  socket-firmcr 

ble  tool  steel,  prop- 
erly  tempered  and 

handles.  Sizes: 

Mlg.  wt.  3  lbs. 

No. 2  12Y2c 

Length,  8  % 
in.  4-in.  blade. 
Mailing  weight 
3  oz. 


No.  3  20c 

Length,  11  A 
in.  6-in.  blade. 
Mailing  weight 

lA  Jb. 


Cutting  Pliers 
923F  $1 

Combination  Cutting  Pliers 
of  high-grade  steel,  drop-forged. 
Carefully  tempered  jaws  and 
cutting  edges.  Length,  7  in. 
Mailing  weight  1  lb. 


Hammer  22J^c 

Well  -  balanced  medium  -  weight 
Hammer  with  solid  steel  head, 
tempered  and  polished.  Hickory 
handle.  Length,  1 1  A  in. 

Mailing  weight  V2  lb. 

■■W 


Hammer  2266F  $1.20 

Head  of  extra-high-grade  steel 
drop-forged  and  polished.  Stout 
hickory  handle.  Finely  finished  and  , 
well-balanced.  Length,  13  in. 

Mailing  weight  1  lb. 


Grindstone  No.  412 


Price  guaranteed  until  Sept.  /,  1920 
High  -  quality,  fast  -  cutting,  Berea  grit 
Grindstone  mounted  on  frame  of 
heavy  steel  tubing. 

Stone  is  18  to  20  in.  in 
diameter,  with  shaft  of  cold- 


Proof  Coil  Chain  No.  3373 

A  substantial  Chain  made  of  first  class  material  and  tested  to  2650  lbs.  The 
approximate  breaking  strength  is  over  5,000  lbs. 

in.  diameter,  50  ft.  long.  A  good  chain  for  general  use.  Shpg.  wt.  60  lbs. 


No.  3371 


Log  Chains 


Mr- 


rolled  steel 
which  turns  on 
improved 
roller-bearing 
device.  Easy 
running. 

Will  give 
years  of  satis¬ 
factory  service. 

Complete 
with  water  can, 
foot  treadles  and  adjustable  seat. 
Shipping  weight,  about  110  lbs. 


No.  3372 
rs  in. 
$2.75 


Close-link  log  or  binding  Chain  with  hook  on  each  end  and  swivel  in  center. 
Length,  14  ft.  Shipping  weight:  No.  3371,  23  lbs.;  No.  3372,  17  lbs. 


Cow  Ties 


No.  3387  Size  2-0  Three  for  $1.10 

Suitable  for  ordinary  size  cows. 

No.  3368  Size  3-0  Three  for  $1.25 

Suitable  for  large  size  cows. 

Smooth  links,  two  toggles  and  swivel. 
Easily  put  on  and  taken  off.  Toggles  hold 
securely.  Shpg.  wt.  5  lbs. 


Crosscut  Saws 


Made  of  high-grade  saw  steel,  finely  tempered  and  ground  ready  for  use.  Complete  with  handles. 
Supplementary  handles  that  can  be  attached  to  either  end,  included  with  one-man  saws. 

One-Man  Saws 


Two-Man  Saws 


DIAMOND  TOOTH,  (14  x  16  gauge) 

805,  5  ft.  long . $4.50 

803,  5^  ft.  long . $4.75 

682,  6  ft.  long . $5.25 

Shipping  weight  18  lbs. 

CHAMPION  TOOTH,  (14  x  16  gauge) 

838,  5  ft.  long . $4.25 

847,  5  M  ft.  long . $4.75 

■  836,  6  ft.  long. . $5.00 

Shipping  weight  18  lbs. 

CHAMPION  TOOTH,  (Narrow  Style) 

819,  5  ft.  long, . $3.00 

818,  5^  ft.  long . $3.25 

801,  6  ft.  long . $3.50 

Shipping  weight  12  lbs. 


DIAMOND  TOOTH 

No.  834,  4  Vi  ft.  long . $3.75 

No.  831,  5  ft.  long . $4.25 

Shipping  weight  13  lbs. 

CHAMPION  TOOTH 

No.  830,  4^ft.  long . $3.75 

No.  829,  5  ft.  long . $4.00 

Shipping  weight  13  lbs. 

PLAIN  OR  V  TOOTH 

No.  826,  4^ft.  long . $3.75 

No.  828,  5  ft.  long . $4.00 

Shipping  weight  13  lbs. 


Wire  Fencing 

Made  of  galvanized  open  hearth  steel  wire,  the  best  kind  for  the  purpose.  It  is  tough,  springy,  and 
elastic,  but  not  brittle.  Constructed  for  strength  and  rigidity.  Knots  absolutely  will  not  slip. 

Prices  guaranteed  until  June  I ,  i  920 

Bottom  wire  No.  10. 


8 

8 


>=<s 


N=<S 


h=4 


pARM  FENCE  No.  852 


Farm  Fence  No.  853.  10  Bars.  47  in.  high.  Top  wire  No.  9. 

Filling  No.  12)^  wire.  Cross  bars  12  in.  apart. 

Per  roll  of  20  rods,  shipping  weight  160  lbs., . $12.00 

Farm  Fence  No.  852.  Same  as  No.  853  except  that  cross  bars  are  6  in.  apart. 
Per  roll  of  20  rods,  shipping  weight  216  lbs., . $16.50 

Farm  Fence  No.  854.  10  Bars.  47  in.  high.  All  No.  9  wire.  Cross  bars 

6  in.  apart 

Per  roll  of  20  rods,  shipping  weight  410  lbs., . $28.00 

Farm  Fence  No.  860.  Same  as  No.  854  except  that  cross  bars  are  12  in.  apart. 

Per  roll  of  20  rods,  shipping  weight  300  lbs., . $20.00 

Hog  Fence  No.  418.  7  bars.  26  in.  high.  Top  and  bottom  wire  No.  1 0.  Filling 

No.  12^  wire.  Cross  bars  12  in.  apart. 

Per  roll  of  20  rods,  shipping  weight  112  lbs., . $8.50 

Hog  Fence  No.  849.  7  Bars.  26  in.  high.  Top  and  bottom  wire  No.  10.  Filling 

No.  12}  •>  wire.  Cross  bars  6  in.  apart. 

Per  roll  of  20  rods,  shipping  weight  140  lbs . $11.00 

Poultry  Fence  No.  422.  18  Bars.  48  in.  high.  Top  wire  No.  10.  Bottom 

wire  No.  12.  Filling  No.  14  x/2  wire.  Cross  bars  8  in.  apart. 

Per  roll  of  10  rods,  shipping  weight  76  lbs., . $7.00 

Poultry  Fence  No.  848.  20  Bars.  60  in.  high.  Top  wire  No.  10.  Bottom 

wire  No.  12.  Filling  No.  14^  wire.  Cross  bars  8  in.  apart. 

Per  roll  of  10  rods,  shipping  weight  85  lbs., . $8.00 


POULTRY  FENCE  No.  848 


/'Heating  Plate 
Heat 

INSULATOR. 


Vulcanizer 


This  handy  outfit  quickly  and  per¬ 
manently  vulcanizes  inner  tubes.  Made 
of  steel  in  one  unit.  Clean  and  safe  to 
operate.  Heating-unit  burns  freely  with¬ 
out  odor  or  smoke.  Size,  5  x  2  Yi  x  2  Y  in. 

Outfit  includes  8  Heat-Unit  Tablets, 
8  Inner-Tube  Patches,  1  Tube  of  Cement, 
1  piece  of  Sandpaper  and  directions  for 
using.  Can  also  be  used  to  vulcanize  hot- 
water  bottles,  etc.  Mlg.  wt.  2  lbs. 

Tire  Patch  Outfit 
383F  50c 

Extra  supplies  for  Vulcanizer  38 IF.  8 
Inner-Tube  patches,  8  Heat-Unit  Tablets, 
1  tube  of  Cement  and  1  piece  of  Sand¬ 
paper.  Directions  for  using.  Mlg.  wt.  2  oz. 


2611F 

$2.25 


Grease  Gun 
2348F  70c 

A  well-made  gun  with  cylinder  of  seam¬ 
less  drawn  brass  and  separate  nozzles  for 
oil  and  grease.  Construction  insures  posi¬ 
tive  action.  Diameter  of  cylinder,  1  %  in. 
Length  over  all,  12  in.  Mlg.  wt.  Yi  lb^ 

«■“#!  . . . . . . . 


Fountain  Brush 
2343F  $1.75 

For  cleaning  the  wheels  and  chassis  of 
automobiles.  Made  of  black  china  bristles 
and  galvanized  wire.  Has  a  brass  nozzle 
which  fits  any  standard  size  garden  hose. 

Mailing  weight  1  lb. 


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I  Accessories  for  Ford  Cars  1 


1  2463F  $4 


Safety  Crank 
Release 

Equip  your 
Ford  with  this 
.Safety  Crank 
;  Release  which 
positively  elim¬ 
inates  the  dan¬ 
ger  of  a  broken  arm  from 
back  fire.  Quickly  at¬ 
tached  without  drilling 
holes.  Attractively  fin¬ 
ished  in  black  enamel. 
Directions  for  attaching 
furnished.  Mlg.  wt.  3  lbs. 


Ford  Tonneau  Mat 
2470F  $1.25 


A  well-made  mat  of 
heavy  brown  felt  that 
helps  keep  a  Ford  ton¬ 
neau  neat  and  clean. 
Size,  28  x  30  in. 

Mailing  weight  2  lbs. 


Grease  Gun 

A  strong,  powerful  steel 
Grease  Gun  operated  by 
ratchet  handle.  Outer  sleeve 
slips  off  when  withdrawn  from 
grease  leaving  gun  clean.  Oil- 
and  grease-spout  included. 
Barrel,  1  %  in.  in  diam¬ 
eter.  Length  over  all, 
13  Yz  in.  Mlg.  wt.  3  lbs. 


Timer  75c 


Ford  Lamp 
Adapter 
2323F  $1 

Connects  with  mag¬ 
neto  and  converts  side 
or  tail  oil  lamp  into  an 
electric  lamp.  Does  not 
affect  magneto  efficien¬ 
cy  nor  prevent  use  of  oil 
in  lamp.  Complete  with 
18-volt  bulb,  10  feet  of 
cable  and  directions. 

Mlg.  wt.  2  oz. 


Fits  any  Ford  since 
1912  model.  Roller  con¬ 
tact  type.  Heavy  gauge 
steel  case,  fiber  lined. 
Insures  accurate  timing. 
Mlg.  wt.  Yi  lb. 


Ford  Transmis¬ 
sion  Lining 

Set  of  3  pieces,  S 2  ].'9 C 

Extra  high-grade  lining  with  fine  woven  texture, 
treated  to  resist  oil.  Pieces  1  Y  in.  wide,  &  in.  thick 
and  23  H  in.  long.  Complete  with  brass  rivets. 
Mailing  weight  Y  lb. 


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2582 F  $6 

Mlg.  wt.  11  lbs, 


Safety 


Auto 

Jack 


Exten- 
s  i  o  n 
brace 
rod,  22 
in.  long,  enables 
Jack  to  be  placed 
and  wheel  raised  with¬ 
out  getting  under  the 
car.  Easily  taken  apart 
for  convenient  packing.  No 
ratchet.  Finished  ingrayenamel. 


2657F, 

$5.50 

Stewart 
V-Ray 
Spotlight 

Handsome, 
handy  black 
enameled 
Spotlight. 

Has  5  Yi  -in. 
clear  lens,  27 
C.  P.  (6-8  volt)  bulb  and  4  Y  feet  of  cord. 
Diminishing  mirror  on  back.  Fits  nearly 
all  cars.  Mailing  weight  4  lbs. 


Radiator  Cement 

8-oz.  can,  37V2c 

A  fine  quality,  efficient  Ce- 
[  ment  for  mending  leaks  in 
I  automobile  radiators. 

Mailing  weight  1  lb. 


Rubber  Patch  Outfit 

For  mending  No.  2  50c 

automobile  inner 
tubes,  hot-water  bottles,  rubber 
boots,  rubber  coats,  rubber  gloves, 
and  various  other 
rubber  articles. 

Outfit  consists  of 
a  4  x  18-in.  piece  __ 
of  sheet  rubber,  a 

%  x  4-in.  tube  of  1™“  4  .sc¬ 

rubber  cement' 
and  sandpaper. 

Directions  on 
package.  Mailing  weight  H  lb. 


Larko 

Spark 

Plug 

No. I, 

Vl  in- 
No.  2, 


40c 

Exceptionally 
well-made  and  re¬ 
liable  Spark  Plug 
that  gives  a  hot 
spark.  Easily 
taken  apart  for 
cleaning. 

Mlg.  wt.  Y  lb. 


Featherweight 
Goggles  50c 

For  the  use  of 
farmers  when 
threshing,  engineers 
and  mechanics,  as 
well  as  autoists. 
1  %-in.  amber-col¬ 
ored  lenses  in  demi- 
amber  frame.  Ad¬ 
justable  black  elas¬ 
tic  webbing.  Venti¬ 
lated.  Mlg.wt.  3oz. 


Auto-Tire  Pumps 


2345F  2457F 


$2.50 

This  pow¬ 
erful  doub- 
le-acti  on 
Pumpdeliv- 
ersair  under 
constant 
pressure. 
Easy  work¬ 
ing.  Cylin- 
d  e  r  s  of 
seamless 
bdrawn  brass. 
Length,  20 
in.  Mlg.  wt. 
5  lbs. 


rp 

$3.50  ft 


Strong  sin- 
g  1  e-a  c  ti  o  n 
Pump  with 
20-in.  seam- 
1 e ss  steel 
cylinder, 
finished  in  * 
black  enam-  / 
el.  H  o  s  e| 
connection 
is  instantly  i 
attachable  ’ 
to  valve. 
Mlg.wt, 

4  lbs. 


35 


Farm  Fire 
Extinguisher 
3366F  $16 

Wherever  there  is 
danger  of  fire  getting 
headway  quickly  or  where 
aid  cannot  be  summoned 
at  once,  this  large  size 
Extinguisher  is  needed. 
Holds  2  Yi  gallons  water. 
Operated  by  turning  up¬ 
side  down.  Chemical 
action  causes  it  to  throw 
a  powerful  stream.  Ap¬ 
proved  by  the  Fire  Under¬ 
writers  Laboratories,  Inc. 
Shpg.  wt.  Wall  plate  and  full  direc- 

20  lbs.  tions  included. 


Garden  Sprayer 
2102F  $6 

Sprayer  has  brass  pump 
in  top  of  tank  by  which 
the  air  is  compressed. 
Made  of  galvanized  iron 
with  brass  parts.  Unex¬ 
celled  for  spraying  trees, 
shrubbery,  potted  vines, 
etc.  Capacity,  about  4 
gallons.  Has  20  in.  of  H- 
in.  hose  and  brass  attach¬ 
ments.  Directions  for 
spraying  included.  A 
strap  attached  goes  over 
the  shoulder  making  it 
easy  to  carry.  Height,  23  in. 

Mailing  weight  11  lbs. 


Wheelbarrow 
3118F  $5 

A  strong,  well-made  Barrow,  of  hardwood, 
steel  and  iron  with  20-in.  steel  wheel.  Bed 
measures  28  in.  long;  20 H  in.  wide  at  handles; 
16H  in.  wide  at  wheel;  11  Yi  in.  deep — all 
inside  measurements.  Shipped  knocked  down. 

Shipping  weight  51  lbs. 


Save  Money  by  Repairing  Your  Shoes 

C*  UU1  a  !-£#•  With  this  complete  Cobbler’s  Outfit  you  can  make  the 
VObbler  UUttlt  shoes  of  the  family  last  two  or  three  times  as  long  and 
Qty  keep  them  always  looking  well.  Set  Consists  of:  One  12-in. 
b/yjr  %t>2!  malleable  Iron  Stand,  3  malleable  Iron  Lasts,  1  Shoemak- 

_ _  er's  Hammer,  1  Shoemaker’s 

Knife,  1  Pegging  Awl,  1  Sew¬ 
ing  Awl,  1  pair  Leather  Half- 
Soles,  1  package  Heel  Nails, 
1  package  ClinchingNails,  1 
package  Shoe  Pegs,  1  card 
each  of  Toe-  and  Heel- 
Plates,  1  bottle  Leather  Ce¬ 
ment,  1  bottle  Rubber  Ce¬ 
ment.  Full  directions  with 
each  outfit.  Mlg.  wt.  10  lbs. 


Cobbler’s  Nails 

Carton  of  0*71  / 

12  packages  of  /2C 

A  splendid  assortment 
of  6  sizes  of  Cobbler’s  Nails. 
Mailing  weight  2  lbs. 


Chemical  Toilet 


This  convenient,  sanitary  and  practically  2346F 
odorless  Chemical  Toilet  is  immensely  superior 
to  the  old-fashioned,  drafty,  unsanitary  outdoor  $ 12 
toilet.  Can  be  placed  in  any  clothes-closet  or 
in  a  bedroom  behind  a  screen  or  curtain. 

Outfit  consists  of  a  steel  case  finished  in  light-gray 
enamel  with  a  double  -  hinged 
varnished  Oak  seat,  an  8-gal¬ 
lon  galvanized  inside  pail  which 
can  be  removed  and 
8  feet  of  enameled 
pipe  with  2  elbows  and  wall-col¬ 
lar,  enough  deodorizing  chemi¬ 
cal  to  last  15  or  20  weeks  and 
one  roll  of  toilet  paper  with  a 
toilet-paper  holder.  Height  to 
top  of  seat,  16 H  in.  Diameter 
of  case,  1 3  H  in.  Shpg.  wt.  38  lbs. 

Deodorizing  Chemical 
9*M7F  C7  Enough  to  last 
15  to  20  weeks. 

Mailing  weight  6  lbs. 


Circular 


with  com¬ 


plete  in¬ 


structions 


Garden  Tool  Outfit 


Outfit  consists  of  one  wood  handle  and  one  each  hoe-plow, 
hoe  and  rake,  any  one  of  which  can  be  quickly  and  firmly 
attached  to  the  handle  at  any  angle  desired.  Permits  one  to 
stand  erect  and  /Qsv  rO. 

work-in  a  natu-  -v\  2104F  $2.25 

ral  p.o  s  1 1 1  o  n .  x 

These  are  high- 
grade  tools 
made  of  . 
hardj 
p  o  1 
i  s  h  e  d 
steel. 


Mail¬ 


ing  wt 


4  lbs. 


Sprayer  and  Force-Pump 

2103F  $2.50  included 

Designed  for  use  in  pail 
or  bucket  and  is  adapted 
for  both  household  and 
use.  Ideal  for 
flowers,  shrubs, 
etc.,  as  well  as  for  use  in 
white-washing  fences, 
poultry-houses,  etc.  Made  of 
galvanized  iron  with  brass 
parts.  Height,  20  Yi  in.  Has 
3  feet  of  H-in*  rubber  hose, 
brass  extension  rod  and  nozzle 
giving  two  sizes  of  spray. 
Mailing  weight  10  lbs. 


Spading  Fork 
202  $1.40 

Price  guaranteed  until 
June  30,  1920 
Well-made  Spading 
Fork.  Angular,  pol¬ 
ished  tines,  1 1  in. 
long.  Strap  ferrule. 

Iron  “D”  bent 
handle.  Bronze 
finish. 


Dairy  Pail 
3117F  $1.25 


seams. 

Mlg.  wt. 
6  lbs. 


Selected  Farm  Aids 


Unusu¬ 
ally  high- 
grade  14- 
qt.  Pail 
made  of 
extra- 
heavy  tin. 
Clean  and 


sanitary ; 
soldered 


Hay  Fork 
367  $1.40 

Price  guaranteed  untit 
June  30,  1920 

A  quality  product  in  eve¬ 
ry  respect.  Full  polished 
tines,  12  in.  long.  Plain 
ferrule.  Strong  4H-ft.  bent 
wood  handle.  Bronze  finish. 

Shipping  weight 
✓o  3  lbs. 

^  


214 


Manure  Fork 

<r>  i  rsi  Price  guaranteed  until 
bl.bU  June  30,  1920 
A  Fork  of  first  quality.  Full  polished* 
12-in.  tines.  Bronze  finish.  Strap  ferrule,  4  H- 
ft.  stout  bent  wood  handle. 

Shipping  weight  4  lbs. 


Rake 

268  $1.10 

Price  guaranteed  until  June  30,  1920 


A  Rake  of  the  highest  quality,  finished  in 
gray  and  bronze  and  full  polished.  Has  14 
straight  teeth.  Single  shank.  Stout  6-ft. 
handle.  Shipping  weight  3  lbs. 


Shpg.  wt. 
5  lbs. 


Post-  Hole 
Auger 

2511F  $2.50 

Strong  6-in.  Post- 
Hole  Auger,  28  in. 
long.  Blades  of  high 
carbon  steel  adjust¬ 
able  to  dig  different 
sized  holes. 
Guaranteed  sat¬ 
isfactory  in  eve¬ 
ry  respect. 
Shpg.  wt. 
5  lbs. 


Hoe 

211  $1 

Price  guaranteed  until 

June  30,  1920 
A  strong  high-grade  Hoe, 
bronze  finished.  Blade 
7  in.  wide  and  in.  deep. 

Solid  sockets.  Handle  4^ 
ft.  long. 

Shpg.  wt.  3  lbs. 


36 


Page 

Alcohol,  Denatured . 27 

Auto  Accessories . 34 

Auto  Enamels,  etc . 20,  34 

Augers. . 32,  33 

git  Set,  Auger . 32 

Brace,  Ratchet . 32 

Bronze  Enamels . 17 

Brushes . 28 

Pement,  Asbestos  Roof.  ...  I  I 

Chains . 33 

Chemical,  Deodorizing . 35 

Chisel  Set .  .  . . 32 

Cleaner,  Wall-Paper . 27 

Cleaning  Paste . 27 

Cobbler  Outfit,  etc . 33 

Cow  Ties . 33 

Crack  Filler . 13 

J)uster,  Painter’s . 28 

fTnamels — 

Auto . 20 

Bronze . 17 

Exhaust-Pipe . 20 

Gloss  Interior . 15 

Stove-Pipe  and  Iron  ...  1  7 
Superfine  White . 16 

Fencing,  Wire . 33 

Fillers — 

Crack,  Liquid,  Paste.  .  .  13 


Page 

Fire  Extinguisher . 35 

Forks — 

Hay,  Manure,  Spading  35 

G1  ass  Cutter . 12 

Goggles,  Auto . 34 

Graining  Materials . 26 

Grinder,  Home . 32 

Grindstone . 33 

Hammers . 32 

Hay  Fork . 35 

Hoe . . . 35 

House  Paints . 6 

Jron  Enamel . 17 

Japan  Drier . 27 

leather  Dressing,  Auto.  .  .  .20 
Linseed  Oil . 27 

J^echanic’s  Paste . 27 

("VI.  Linseed . 27 

Oilit . 27 

pail.  Dairy . 35 

Paints — 

Barn . 10 


Paints,  Contd.  Page 

Flat . 14,  17 

Floor . 13 

Gloss  Black . II 

Ground  Color . 26 

House . 6 

Implement . 12 

Inside  White,  Semi- 

Gloss  . 16 

Roof . 10 

Screen . II 

Pliers . 32 

Polishes — - 

Cedar-Oil,  Furniture.  .  .27 

Polishing  Wax . 23 

Pump,  Force-,  and 

Sprayer . 35 

Putty,  Putty  Knife . 12 

Pake . 35 

Roof  Cement . 11 

Roofing . 30,  31 

gample  Colors. . 18.  19 

Sandpaper . 12 

Saws . 32,  33 

Screwdrivers . 32 

Shellac,  Orange . 27 

Shingles,  Slate- 

Surfaced . 31 

Size,  Wall . 15 

Sprayers . 35 


Page 

Stains,  Shingle . 10 

Stove-Pipe  and  Iron  Enamel  1  7 

■Toilet,  Chemical . 35 

Tools . .  .  .32,  35 

Turpentine,  Turpentine 

Substitute . 27 

JJndercoater,  White 

Enamel . 16 

garnishes — 

Auto  Finishing . 20 

Colored . 26 

Economy . 25 

Flat . 24 

Floor . 23 

Furniture . 25 

Interior . 23,24,  25 

Linoleum . 23 

Renovating . 24 

Sizing . 15 

Spar . 24 

White  Maple . 25 

White  Spirit . 27 

Vises . 32 

^Vall-Paper . 29 

Wall-Paper  Cleaner.  . .  .27 

Wall  Size . 15 

Wheelbarrow . 35 

Wrenches . 32 


PLEASE  READ  THIS  BEFORE  ORDERING 


Following  are  a  few  suggestions  that  will  help  you  in  making 
out  your  order  so  that  we  can  give  you  prompt  service  at  the 
Larkin  Factories. 

Easy  to  Order 

There  are  no  complications  or  difficulties  about  ordering— it 
is  as  simple  as  writing  a  letter.  Take  the  order  blank  enclosed 
with  this  book  and  write  in  the  proper  column  the  articles  you 
want.  State  quantity,  name  and  number,  price  and  total  thus: 

3  gal.  Ivory  Flat  Paint  No.  722  $6.75 

Add  up  the  order  and  mail  it  to  us  with  Post-Office  or  Express 
Money  Order,  Bank  Draft,  Cash  by  registered  letter,  or  your 
own  personal  check. 

If  you  have  no  order  blank,  use  a  piece  of  plain  paper. 

Prices  Are  Net 

On  all  orders  from  this  book,  the  prices  are  net.  No  Premiums, 
Certificates,  Coupons,  or  Rewards  are 
given  with  purchases  at  these  prices. 

Terms  are  cash  in  full,  unless  you 
wish  to  avail  yourself  of  our  30  days’ 
credit  offer  described  at  the  right. 

Prices  Subject  to  Change 

Owing  to  the  unsettled  state  of  the 
market  the  prices  on  the  goods  offered 
in  this  book  are  subject  to  change. 

Price  changes  should  occur  in  very 
few  instances  however,  if  any,  and  we 
guarantee  to  give  our  customers  the 
benefit  of  the  greatest  savings  that  our 
economical  methods  can  procure  for 
them. 


30  Days’  Credit 


be 


You  may  order  $10  to  $20  worth 
Larkin  Paints  or  other  goods  on  trial. 

(Orders  for  less  than  $10  should 
accompanied  by  cash.) 

Write  your  order  on  the  order  blank 
which  accompanies  this  book  filling  in  the 
spaces  provided  for  a  credit  order.  Also 
have  two  Larkin  Customers  or  responsible 
business  men,  sign  in  the  spaces  provided. 

If  satisfied  with  the  order,  send  the 
money  in  30  days.  If  not  satisfied,  notify 
us  and  we  will  remove  the  goods  at  our 
expense. 


How  Goods  Are  Shipped 

Goods  are  shipped  by  freight,  express  or  parcel-post.  Unless 
otherwise  requested  on  the  order  they  will  be  shipped  the 
cheapest  way. 

The  most  economical  way  to  ship  heavy  goods  is  by  freight. 
Light-weight  articles,  wanted  in  a  hurry,  may  be  shipped  by 
express  or  Parcel-Post  at  small  expense.  When  requesting  ship¬ 
ment  by  Parcel-Post,  always  add  enough  to  your  remittance  to 
cover  postage.  The  mailing  or  shipping  weight  is  given  in  the 
description  of  each  article  so  that  you  can  readily  tell  the 
approximate  mailing  weight  of  your  order.  Your- postmaster 
will  tell  you  the  Parcel-Post  rate  from  Larkin  Co.  to  your  home. 

The  smallest  quantity  we  ship  by  freight  is  $5  worth.  But 
freight  charges  on  a  $10  order  are  often  no  more  than  on  a  $5 
order  because  the  railroads  base  their  rates  on  100  lbs.  which 
is  about  the  weight  of  a  $10  order. 

We  therefore  recommend  that  you  add  enough  to  your  order 
to  take  advantage  of  this  saving  in 
freight  charges. 

We  Guarantee  Your 
Absolute  Satisfaction 

You  take  absolutely  no  risk  when 
you  order  from  this  book,  because  if 
you  are  not  thoroughly  pleased  with 
the  goods,  if  anything  does  not  fully 
come  up  to  your  expectations,  you  may 
notify  us  and  we  will  remove  the  goods 
at  our  expense  and  cheerfully  refund 
their  cost.  This  is  the  Larkin  Guaran¬ 
tee  which  has  stood  back  of  our  busL 
ness  for  over  40  years. 

So  do  not  hesitate  to  order  the  full 
quantity  you  need  and  get  the  advan¬ 
tage  of  the  Larkin  saving. 


of 


Larkin  Co, 


220 A3312 


Walls — Light  Tan 
Flat  Paint  No. 
724  and  Silver 
Gray  Flat  Paint 
No.  718 

Ceiling — White 
Flat  Paint  No.  717 
Trim  —  Walnut 
Varnish  No. 

V  683  • 


Beautiful  Interiors 

IT  is  wonderful  what  artistic  combinations  you  can  make  with  Larkin 
Flat  Paints  and  Gloss  Interior  Enamels. 

The  plainest  looking  dining-rooms,  bedrooms  and  living-rooms 
can  be  changed  into  rooms  of  beauty.  Even  kitchens 
can  be  made  artistic  and  attractive.  Note  the  kitchen 
shown  on  this  page,  with  the  wall  finished  in  Light 
Tan  Flat  Paint  and  the  chairs  and  table  in  White 
Enamel.  How  pleasant  and  inviting  it  looks! 

Note,  too,  the  pleasing  effect  of  Light  Blue  Flat 
Paint  and  White  Enamel  shown  in  the  bath¬ 
room  illustration. 

Flat  Tones  are  tasteful  too,  in  com¬ 
bination  with  the  finest  furniture  and 
furnishings,  as  can  be  seen  in  the 
accompanying  illustrations. 

Larkin  Flat  Paints  and  Gloss  In¬ 
terior  Enamels  can  be  washed  repeat¬ 
edly  without  injuring  the  finish. 

Look  at  the  rooms  in  your  home. 

Imagine  how  some  of  these  beautiful 
tints  would  improve  your  walls  and 
woodwork. 


Walls  —  Pink  Flat 
Paint  No.  7 2  1 
and  Silver  Gray 
Flat  Paint  No. 
718 

Ceiling — White 
Flat  Paint  No.  71  7 
Trim  — Mahogany 
Varnish  No. 

AQA 


For  sample  colors,  see  page  18. 


Colors 
Used  in  this  Room 


Walls — Silver  Gray 
Flat  Paint  No. 
718 

Ceiling — White 
Flat  Paint  No.  7 1 7 
Trim  —  Superfine 
White  Enamel 

No.  711 


. 

i  1*4  .>W 


■  w  \’  *  ;  $*C*  *'•*& :'  •  '  ij  ■  .1  *  fPIfp?’ 

p  ^^mSSL',  Mil 


^V.V,, 

;  -  ’:  ‘3>  K%  i.m«& 


' 


^  ■  ^:v,y^ ; ' 


LARKIN  RB 


COLOR 


- 

I  i  s  §t 


UP  YOUR  BARN 

YOUR  barn,  garage,  and  outbuildings  will  look  better  and  last  longer 
if  you  use  Larkin  Guaranteed  Roofing  and  Red  Barn- and  Roof-Paint. 

Larkin  Roofing,  either  Asphalt  or  Slate-Surfaced,  is  fire-resisting,  eco¬ 
nomical,  good-looking,  and  easily  put  on.  Furnished  by  the  roll  or  in 
shingle  strips.  For  prices  and  description,  see  page  30. 

Larkin  Red  Barn-and  Roof-Paint  is  of  finest  possible  quality,  manufactured 
in  our  own  modern  Paint  Plant.  For  prices  and  description,  see  page  10. 
It  is  true  economy  to  properly  protect  ycur  buildings  against  the  effects 
of  sun  and  rain.  Buildings  well  kept  increase  the  value  of  any  farm. 


